Database / Artworks
Artworks
The Courtesan Emon of Maruebiya with a View of Tago Bay (form the series Courtesans with a Playful Group of Eight Views)
Utagawa Kuniyasu, Japanese
color woodblock print · 1827
Cleveland Museum of Art
"The shepherd's prayer". Naar Sir Edwin Landseer, met adressen van ranes en Knoedler
Thomas Lewis Atkinson
engraving on paper · 1827
Rijksmuseum
Coach Changing Horses
Thomas Rowlandson, British
Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board · 1827
Art Institute of Chicago
Stilleven met vier vruchten, glas en aardewerk
François Bonvin
panel, oil paint (paint) · 1827
Rijksmuseum
Marrow Scoop
Baldwin Gardiner
Silver · 1827
Art Institute of Chicago
The actors Onoe Kikugoro III (R) as Nagoya Sanza and Iwai Kumesaburo II (L) as the courtesan Katsuragi in the play "Oichiza Soga no Shimadai," performed at the Kawarazaki Theater in the first month, 1827
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; right and center sheets of shikishiban triptych, surimono · 1827
Art Institute of Chicago
Ludwig von Beethoven
Rudolph Mayer
Bronze · 1827
Art Institute of Chicago
The Captive Slave (Ira Aldridge)
John Philip Simpson
Oil on canvas · 1827
Art Institute of Chicago
Verkopers voor een kerkportaal
Cornelis Springer
etching on paper · 1827
Rijksmuseum
Crouching Woman
Eugene Delacroix
Black and red chalk, with pastel, heightened with white chalk, over wash, on tan wove paper · 1827
Art Institute of Chicago
The Harp that Once through Tara's Halls
Mary R. Glenn
Silk, satin weave; embroidered with silk and silk chenille yarns in satin, single satin, split, and stem stitches; couching; painted; lined and edged with linen, plain weave · 1827
Art Institute of Chicago
Marine Scene
Imitator of Anthony Vandyke Copley Fielding
Watercolor and gouache, with scraping, heightened with varnish, over traces of graphite, on cream wove paper, laid down on green wove paper · 1827
Art Institute of Chicago
The Circle of the Lustful: Paolo and Francesca. Inferno, canto V
William Blake
Hand-colored engraving on India paper, laid down on wove paper (chine collé) · 1827
Art Institute of Chicago
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate. Inferno, canto XXXII
William Blake
Hand-colored engraving on India paper, laid down on wove paper (chine collé) · 1827
Art Institute of Chicago
The Circle of the Corrupt Officials; the Devils Mauling Each Other. Inferno, canto XXII.
William Blake
Hand-colored engraving on India paper, laid down on wove paper (chine collé) · 1827
Art Institute of Chicago
Coach Changing Horses
Thomas Rowlandson
Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board · 1827
Art Institute of Chicago
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo. Inferno, canto XXII
William Blake
Hand-colored engraving on India paper, laid down on wove paper (chine collé) · 1827
Art Institute of Chicago
The Circle of the Falsifiers: Dante and Virgil Covering their Noses Because of the Stench. Inferno, canto XXIX
William Blake
Hand-colored engraving on India paper, laid down on wove paper (chine collé) · 1827
Art Institute of Chicago
The Captive Slave
Edward Finden
Engraving on cream wove paper, tipped onto brown wove paper · 1827
Art Institute of Chicago
A Real Miltonian
Henry Alken
Watercolor and graphite on paper · 1827
Art Institute of Chicago
Oh, You Should Have Seen Old Tom
Henry Alken
Watercolor and graphite on paper · 1827
Art Institute of Chicago
Pink Coated Rider
Henry Alken
Watercolor and graphite on paper · 1827
Art Institute of Chicago
I'll Soon Take All This Out of Him...
Henry Alken
Watercolor and graphite on paper · 1827
Art Institute of Chicago
Landscape in Mist (Muchu no sansui), from an untitled series of landscapes
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1827
Art Institute of Chicago