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Artworks

262 records
Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Alpine Lake, in the Cerro Blanco Mountains, Colorado. One of a group of ten lakes at the main head of Ute Creek. 11.000 feet above sea-level. Cerro Blanco Peak rises 14.269 feet abov the sea, lying to the westward, No. 45 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Alpine Lake, in the Cerro Blanco Mountains, Colorado. One of a group of ten lakes at the main head of Ute Creek. 11.000 feet above sea-level. Cerro Blanco Peak rises 14.269 feet abov the sea, lying to the westward, No. 45 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Characteristic ruin, of the Pueblo San Juan, New Mexico, on the north bank of the San Juan River, about 15 miles west of the mouth of Cañon Largo. The present race of Indians know nothing of when or by whom these buildings were constructed. The ruin is about 350 feet square, and built of natural stone, joined together by a mud cement, No. 43 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Characteristic ruin, of the Pueblo San Juan, New Mexico, on the north bank of the San Juan River, about 15 miles west of the mouth of Cañon Largo. The present race of Indians know nothing of when or by whom these buildings were constructed. The ruin is about 350 feet square, and built of natural stone, joined together by a mud cement, No. 43 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Portrait Sketches including F.R. Leyland and Whistler
Portrait Sketches including F.R. Leyland and Whistler
James McNeill Whistler
Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
Mrs Leyland, Sr.
Mrs Leyland, Sr.
James McNeill Whistler
Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
Nude Posing
Nude Posing
James McNeill Whistler
Drypoint with foul biting, with scraped and drypoint cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
Elinor Leyland
Elinor Leyland
James McNeill Whistler
Drypoint, with scraped cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
F. R. Leyland
F. R. Leyland
James McNeill Whistler
Etching, drypoint and open bite, with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1874
Art Institute of Chicago
Florence Leyland
Florence Leyland
James McNeill Whistler
Drypoint with foul biting in black ink on ivory laid paper · 1874
Art Institute of Chicago
Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland
Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland
Sir Edward Burne-Jones, English
Pen and ink, brush and watercolor on paper · 1874
Cooper Hewitt, Smithsonian Design Museum
Florence Leyland
Florence Leyland
James McNeill Whistler
Drypoint in dark brown ink on ivory laid paper · 1874
Art Institute of Chicago
Timothy O'Sullivan
Timothy O'Sullivan
Timothy H. O'Sullivan
Albumen silver print · 1874
National Portrait Gallery
Wheeler Survey Members
Wheeler Survey Members
Timothy H. O'Sullivan
Albumen silver print · 1874
National Portrait Gallery
Shoshone Falls, Snake River, Idaho, View across the Top of the Falls
Shoshone Falls, Snake River, Idaho, View across the Top of the Falls
Timothy H. O'Sullivan
albumen silver print · 1874
Smithsonian American Art Museum
The Isolated Fort
The Isolated Fort
Jean-Baptiste Camille Corot
Transfer lithograph printed in black on ivory China paper laid down on white wove paper · 1874
Art Institute of Chicago
Reading Beneath the Trees
Reading Beneath the Trees
Jean-Baptiste Camille Corot
Transfer lithograph printed in black on light gray China paper laid down on white wove paper · 1874
Art Institute of Chicago
Sunset, Navarro Ridge, California Coast
Sunset, Navarro Ridge, California Coast
Ralph Albert Blakelock
oil paint · 1874
Smithsonian American Art Museum
Long's Peak, Colorado, 1874
Long's Peak, Colorado, 1874
William Henry Holmes
watercolor · 1874
Smithsonian American Art Museum
Little Girl with a Cat
Little Girl with a Cat
Gaston La Touche
Drypoint on ivory wove paper · 1874
Art Institute of Chicago
Folded Strata, a Great Geological Arch, Colorado
Folded Strata, a Great Geological Arch, Colorado
William Henry Holmes
watercolor and pencil on paper · 1874
Smithsonian American Art Museum
The Dam Wood
The Dam Wood
James McNeill Whistler
Drypoint in brown ink on off-white wove paper · 1874
Art Institute of Chicago
Florence Leyland
Florence Leyland
James McNeill Whistler
Drypoint in black ink on cream Japanese paper · 1874
Art Institute of Chicago
Margaretta Willoughby Pierrepont
Margaretta Willoughby Pierrepont
Augustus Saint-Gaudens
marble · 1874
Smithsonian American Art Museum
Carry Me and I'll Drum It Through
Carry Me and I'll Drum It Through
Truman Howe Bartlett
bronze · 1874
Smithsonian American Art Museum
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