Database / Artworks
Artworks
Plate
Manufacture nationale de Sèvres
Soft-paste porcelain, polychrome enamels, and gilding · 1787
Art Institute of Chicago
Portrait of Mrs. Moffat
Nathaniel Plimer
Watercolor on ivory · 1787
Art Institute of Chicago
Portrait of Sir John Stewart
Andrew Plimer
1787
Art Institute of Chicago
Bust of Male Nude (recto); Portrait Sketch of Man with Sketches of Women (verso)
Anne-Louis Girodet de Roussy-Trioson
Brush and brown wash, over traces of graphite and black chalk (recto) and black chalk (verso) on ivory wove paper · 1787
Art Institute of Chicago
Promenade du Jardin du Palais Royal (The Palais Royal Garden Walk)
Louis Lecoeur
Color aquatint with etching and engraving in black ink on cream laid paper · 1787
Art Institute of Chicago
Promenade du Jardin du Palais Royal (The Palais Royal Garden Walk)
Louis Lecoeur
Etching and Aquatint with hand-coloring · 1787
Art Institute of Chicago
The First Day of Business (Akinai hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; oban, page from an illustrated book · 1787
Art Institute of Chicago
The One-Page Preface and Colophon from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; pages from an illustrated book · 1787
Art Institute of Chicago
Narcissus in Winter, from the series "Choicest Odes upon Flowers of the Four Seasons (Shuku awase, shiki no hana)"
Katsukawa Shunchô
Color woodblock print; chuban · 1787
Art Institute of Chicago
Summer Bush Clover (Natsuhagi), from the series Choicest Odes upon Flowers of the Four Seasons (Shuku awase, shiki no hana)
Katsukawa Shunchô
Color woodblock print; chūban · 1787
Art Institute of Chicago
Rabbit-Ear Irises in Autumn, from the series "Choicest Odes upon Flowers of the Four Seasons (Shuku awase, shiki no hana)"
Katsukawa Shunchô
Color woodblock print; chuban · 1787
Art Institute of Chicago
The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound
Fortunato Duranti
Pen and brown ink, brush and gray-brown wash, highlighted with white gouache on cream paper · 1787
The Metropolitan Museum of Art
The Dead Christ Mourned by the Magdalen Who Venerates the Wounds on His Feet
Fortunato Duranti
Pen and brown ink, brush and gray-brown wash, highlighted with white gouache · 1787
The Metropolitan Museum of Art
Congregation in a Temple
Fortunato Duranti
Pen and brown ink with graphite on thin paper · 1787
The Metropolitan Museum of Art
Jean-Baptiste Belley
Anne-Louis Girodet de Roussy-Trioson
Black chalk, with stumping, and traces of pen and black ink, heightened with touches of opaque white, on ivory wove paper · 1787
Art Institute of Chicago
Jacob's Dream
Raphael
Pen and brown ink and brush and brown wash, heightened with lead white, on tan laid paper · 1787
Art Institute of Chicago
L'Irresolution, ou La Confidence (Irresolution, or the Confidence)
Jean Antoine Pierron
Etching on ivory laid paper. · 1787
Art Institute of Chicago
Head of a Young Woman Asleep
Jean-Baptiste Lucien
Crayon-manner engraving in red-brown on ivory wove China paper with a laid pattern · 1787
Art Institute of Chicago
Tureen with Cover
Chinese export porcelain
Hard-paste porcelain, glaze, with enamels in colors, and gilding · 1787
Art Institute of Chicago
Tureen with Cover
Chinese export porcelain
Hard-paste porcelain, glaze, with enamels in colors, and gilding · 1787
Art Institute of Chicago
Ceres
Francesco Bartolozzi
Stipple engraving, with handcoloring, on paper · 1787
Art Institute of Chicago
Three Komuso Monks: The Actors Ichikawa Ebizo (Danjuro V) as Kudo Suketsune (right), Ichikawa Monnosuke II as Soga no Juro Sukenari (center), and Ichikawa Omezo I as Soga no Goro Tokimune (left), in Act Six of the Play Waka Murasaki Edokko Soga (Pale Purple Soga, Edo Style), Performed at the Ichimura Theater from the Twenty-third Day of the First Month, 1792
Katsukawa Shunshō
Color woodblock print; hosoban; triptych · 1787
Art Institute of Chicago
“Paul and Virginie” Furnishing Fabric
Petitpierre et Cie.
Cotton, plain weave; copperplate printed · 1787
Art Institute of Chicago
Smithfield Sharpers, or the Countryman Defrauded
John Keyse Sherwin
Etching · 1787
The Metropolitan Museum of Art