Database / Artworks
Artworks

Parade of Bootblacks
Alfredo Zalce
Lithograph in black on cream wove paper · 1941
Art Institute of Chicago

Dancing Skeletons
Alfredo Zalce
Linoleum cut in black on paper · 1941
Art Institute of Chicago

Farmer Parade
Alfredo Zalce
Lithograph in dark brown on paper · 1941
Art Institute of Chicago

Visit to the Museum
Alfredo Zalce
Lithograph in dark brown on cream wove paper · 1941
Art Institute of Chicago

Nude Standing by Chair
Max Kahn
Lithograph on white wove paper · 1941
Art Institute of Chicago

Nude Seated in Chair by Table
Max Kahn
Lithograph on gray China paper, laid down on wove white paper · 1941
Art Institute of Chicago

Untitled (Reclining Nude with Flower in her Hand)
Max Kahn
Lithograph on gray China paper, laid down on wove white paper · 1941
Art Institute of Chicago

Nude Kneeling
Max Kahn
Lithograph on gray China paper, laid down on wove white paper · 1941
Art Institute of Chicago

Untitled (Reclining Nude with Flower in her Hand)
Max Kahn
Lithograph on white wove paper · 1941
Art Institute of Chicago

Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on tan wove paper, tipped on ivory wove paper · 1941
Art Institute of Chicago

Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on tan wove paper, tipped onto green wove paper · 1941
Art Institute of Chicago

Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on cream wove paper, tipped on tan wove paper · 1941
Art Institute of Chicago

Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on tan wove paper, tipped on ivory wove paper · 1941
Art Institute of Chicago

Study for The Rock
Peter Blume
Charcoal, with stumping on cream tracing paper, tipped on ivory wove paper · 1941
Art Institute of Chicago

Lady in Red
Eugene Larkin
Woodcut on white wove paper · 1941
Art Institute of Chicago

Three Weeds
Eugene Larkin
Woodcut on white wove paper · 1941
Art Institute of Chicago

The Victim
Harold Tovish
Brush and black ink, with traces of gouache, on cream wove paper · 1941
Art Institute of Chicago

Plate with Four Techniques
Mario Avati
Soft ground etching, engraving, stipple engraving, and drypoint on cream wove paper · 1941
Art Institute of Chicago

Head of a Man with Eyes Closed
Harold Tovish
Pen and gray ink on off-white wove paper · 1941
Art Institute of Chicago

Mural Study #1: Perils of Pauline/Keystone Cops
John Decker
Gouache, graphite and ink on illustration board · 1941
National Portrait Gallery

Mural Study #4:
John Decker
Crayon, gouache, graphite and ink on illustration board · 1941
National Portrait Gallery

Sample (Dr 23 J #2)
Robert D. Sailors
Fiberglass, metallic foil encased in polyester film, rayon, and wool, plain weave · 1941
Art Institute of Chicago

Sample (17 V #5)
Robert D. Sailors
Cotton, wool, rayon and rabbit hair; strips of rayon and acetate, plain weave; rayon and cotton bouclé; polyester-film-laminated-metal-foil, plain weave · 1941
Art Institute of Chicago

Sample (Up 10 J #4)
Robert D. Sailors
Cotton, wool, metallic foil encased in polyester film, and rayon, warp chevron twill weave · 1941
Art Institute of Chicago