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Artworks

800 records
Parade of Bootblacks
Parade of Bootblacks
Alfredo Zalce
Lithograph in black on cream wove paper · 1941
Art Institute of Chicago
Dancing Skeletons
Dancing Skeletons
Alfredo Zalce
Linoleum cut in black on paper · 1941
Art Institute of Chicago
Farmer Parade
Farmer Parade
Alfredo Zalce
Lithograph in dark brown on paper · 1941
Art Institute of Chicago
Visit to the Museum
Visit to the Museum
Alfredo Zalce
Lithograph in dark brown on cream wove paper · 1941
Art Institute of Chicago
Nude Standing by Chair
Nude Standing by Chair
Max Kahn
Lithograph on white wove paper · 1941
Art Institute of Chicago
Nude Seated in Chair by Table
Nude Seated in Chair by Table
Max Kahn
Lithograph on gray China paper, laid down on wove white paper · 1941
Art Institute of Chicago
Untitled (Reclining Nude with Flower in her Hand)
Untitled (Reclining Nude with Flower in her Hand)
Max Kahn
Lithograph on gray China paper, laid down on wove white paper · 1941
Art Institute of Chicago
Nude Kneeling
Nude Kneeling
Max Kahn
Lithograph on gray China paper, laid down on wove white paper · 1941
Art Institute of Chicago
Untitled (Reclining Nude with Flower in her Hand)
Untitled (Reclining Nude with Flower in her Hand)
Max Kahn
Lithograph on white wove paper · 1941
Art Institute of Chicago
Study for Flowering Stump
Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on tan wove paper, tipped on ivory wove paper · 1941
Art Institute of Chicago
Study for Flowering Stump
Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on tan wove paper, tipped onto green wove paper · 1941
Art Institute of Chicago
Study for Flowering Stump
Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on cream wove paper, tipped on tan wove paper · 1941
Art Institute of Chicago
Study for Flowering Stump
Study for Flowering Stump
Peter Blume
Charcoal, with stumping, on tan wove paper, tipped on ivory wove paper · 1941
Art Institute of Chicago
Study for The Rock
Study for The Rock
Peter Blume
Charcoal, with stumping on cream tracing paper, tipped on ivory wove paper · 1941
Art Institute of Chicago
Lady in Red
Lady in Red
Eugene Larkin
Woodcut on white wove paper · 1941
Art Institute of Chicago
Three Weeds
Three Weeds
Eugene Larkin
Woodcut on white wove paper · 1941
Art Institute of Chicago
The Victim
The Victim
Harold Tovish
Brush and black ink, with traces of gouache, on cream wove paper · 1941
Art Institute of Chicago
Plate with Four Techniques
Plate with Four Techniques
Mario Avati
Soft ground etching, engraving, stipple engraving, and drypoint on cream wove paper · 1941
Art Institute of Chicago
Head of a Man with Eyes Closed
Head of a Man with Eyes Closed
Harold Tovish
Pen and gray ink on off-white wove paper · 1941
Art Institute of Chicago
Mural Study #1: Perils of Pauline/Keystone Cops
Mural Study #1: Perils of Pauline/Keystone Cops
John Decker
Gouache, graphite and ink on illustration board · 1941
National Portrait Gallery
Mural Study #4:
Mural Study #4:
John Decker
Crayon, gouache, graphite and ink on illustration board · 1941
National Portrait Gallery
Sample (Dr 23 J #2)
Sample (Dr 23 J #2)
Robert D. Sailors
Fiberglass, metallic foil encased in polyester film, rayon, and wool, plain weave · 1941
Art Institute of Chicago
Sample (17 V #5)
Sample (17 V #5)
Robert D. Sailors
Cotton, wool, rayon and rabbit hair; strips of rayon and acetate, plain weave; rayon and cotton bouclé; polyester-film-laminated-metal-foil, plain weave · 1941
Art Institute of Chicago
Sample (Up 10 J #4)
Sample (Up 10 J #4)
Robert D. Sailors
Cotton, wool, metallic foil encased in polyester film, and rayon, warp chevron twill weave · 1941
Art Institute of Chicago
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