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Artworks
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Landscape with a Milkmaid
Titian
woodcut · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Bacchanalian Scene
Amico Aspertini
Black chalk, highlighted with white, on brown-washed paper · 1520
The Metropolitan Museum of Art
An Allegory on the Expulsion from Paradise and the Sacrifice of Abel
Amico Aspertini
Engraving in black on cream laid paper · 1520
Art Institute of Chicago
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Couple and Death with a Drum, from "The Dance of Death"
Allaert Claesz
Engraving · 1520
The Metropolitan Museum of Art
Allegory with a Woman in Roman Dress on a Triumphal Chariot
Allaert Claesz
Engraving in black on ivory laid paper, laid down on ivory laid paper · 1520
Art Institute of Chicago
Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art
Satyress and her Infant
Severo da Ravenna
Indirect cast; copper alloy, dark brown with areas of black patina. · 1520
The Metropolitan Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art
Portrait of a Young Woman
Francesco Foschi
Metalpoint, touches of red chalk, on gray prepared paper. · 1520
The Metropolitan Museum of Art
Christus aan het volk getoond
Coxie, Michiel, I
pen on paper, ink · 1520
Rijksmuseum