ArtistsEero Saarinen
Eero Saarinen

Eero Saarinen

1910
WA-00029230
Representation
None documented
19
Institutional Exhibitions
20
Works in Collection
22
Assets Indexed
3
Authority-backed Facts
0
Publications Referenced
80%
Profile Completeness

Cultural Positioning

Influence Graph
No influence edges encoded yet.

Authority Records (3)

Selected Institutional Exhibitions

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No image
Transformations in Modern Architecture
Museum of Modern Art, New York
1979
No image
Philip L. Goodwin Galleries of Architecture and Design
Museum of Modern Art, New York
1964
No image
Eero Saarinen, 1910�1961
Museum of Modern Art, New York
1961
No image
Architecture and Imagery: Four New Buildings
Museum of Modern Art, New York
1959
No image
20th Century Design from the Museum Collection
Museum of Modern Art, New York
1958–1959
No image
Buildings for Business and Government
Museum of Modern Art, New York
1957
No image
Good Design: 5th Anniversary
Museum of Modern Art, New York
1955
No image
Built in USA: Post-War Architecture
Museum of Modern Art, New York
1953
No image
Good Design
Museum of Modern Art, New York
1950–1951
No image
Three Modern Styles
Museum of Modern Art, New York
1950
No image
The House in the Museum Garden
Museum of Modern Art, New York
1949
No image
Printed Textiles for the Home
Museum of Modern Art, New York
1947

Field Verification (3 fields)

2 cross-verified · 1 single-source
  • BiographyMoMA· 93%
  • Birth yearArtsy· 85%
  • NationalityArtsy· 85%

Source Registry (2)

About

Why this artist matters now

Eero Saarinen was an American architect and designer whose sculptural approach to modernist form defined postwar public and institutional space. Working primarily in reinforced concrete, steel, and glass, he created buildings of striking geometric precision that combined functionalist principles with expressive monumentality. His practice encompassed airport terminals, corporate headquarters, and civic structures that treated architecture as a coherent formal object rather than a neutral container. Saarinen's work established a distinctive bridge between European modernism and American optimism in the 1950s.

Source: Moma Bulk 2026 05 04 · Trust score: 92% · Updated 29d ago

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Taste overlap and adjacency

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Museum Collections

Canonical record

Artworks (20)

View all 20 artworks →

Artwork sources (5)

20 published of 20 catalogued · 12 with image
  • Art Institute Chicago
    6 published6 img
  • Cleveland Museum of Art
    5 published
  • MoMA
    4 published4 img
  • The Met
    3 published
  • Victoria & Albert
    2 published2 img

Per-Artwork Provenance Chains (top 7)

7 entries · 2 sources
  • Tulip Armchair (model 150)
    1955 · MoMA · 1 prov
    MoMA·title
  • Womb Chair (Exhibited in the US Pavilion in the 1951 Milan Triennale)
    1946 · MoMA · 1 prov
    MoMA·title
  • Footstool
    1947 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Pedestal Table
    1955 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Pedestal Chair
    1955 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Armchair
    1947 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
  • Set of two Armchairs and a Footstool
    1947 · Cleveland · 1 prov
    Url Pattern Extraction 2026-05-27·accession_number
Record

Images

Artsy artist portrait
Artsy
Tulip Armchair (Art Institute of Chicago)
Art Institute of Chicago
Institutional

Representation & Collections

In collection
Museum of Modern Art
New York, US
In collection
Art Institute of Chicago
In collection
The Metropolitan Museum of Art
In collection
Cleveland Museum of Art
In collection
Victoria and Albert Museum
Record

Exhibitions and timeline