Artworks · Georges Rouault

Plate (page 56) from PASSION

1928

composition 11 3/4 x 7 7/8" (29.8 x 20 cm)

Museum of Modern Art

Headpiece (page 69) from PASSION

1928

composition 7 7/16 x 7 13/16" (18.9 x 19.9 cm)

Museum of Modern Art

Plate (page 6) from PASSION

1928

composition 11 3/4 x 7 13/16" (29.9 x 19.9 cm)

Museum of Modern Art

Headpiece (page 3) from PASSION

1928

composition 5 3/16 x 7 15/16" (13.2 x 20.2 cm)

Museum of Modern Art

ASSISTANT EXECUTIONER (CARRYING WOOD FOR THE CROSS) (plate, facing page 142) from PASSION

1928 · Aquatint, lift ground aquatint, soft ground etching, and engraving with roulette, printed in color

plate 12 1/4 x 8 1/2" (31.1 x 21.6 cm)

Museum of Modern Art

LADY WITH A CREST (plate, facing page 94) from PASSION

1928 · Aquatint, lift ground aquatint, soft ground etching, and engraving with roulette, printed in color

plate 12 3/8 x 8 3/8" (31.4 x 21.3 cm)

Museum of Modern Art

HOOLIGAN... JACKAL BLESSED BY ALL THE ACADEMIES (plate, facing page 88) from PASSION

1928 · Aquatint, lift ground aquatint, etching, and drypoint with roulette, printed in color

plate 12 5/8 x 8 5/16" (32.1 x 21.1 cm)

Museum of Modern Art

FISHERMAN (plate, facing page 82) from PASSION

1928 · Aquatint, lift ground aquatint, etching, drypoint, and engraving with roulette, printed in color

plate 12 3/8 x 8 9/16" (31.5 x 21.8 cm)

Museum of Modern Art

ECCE HOMO (plate, facing page 50) from PASSION

1928 · Aquatint, lift ground aquatint, etching, soft ground etching, and engraving with roulette, printed in color

plate 12 13/16 x 8 3/16" (32.5 x 20.8 cm)

Museum of Modern Art

CHRIST AND PAUPERS (plate, facing page 40) from PASSION

1928 · Aquatint, lift ground aquatint, etching, and drypoint with roulette, printed in color

plate 12 1/16 x 8 7/16" (30.6 x 21.5 cm)

Museum of Modern Art

CHRIST AT THE GATES OF THE CITY (frontispiece) from PASSION

1928 · Aquatint, lift ground aquatint, and soft ground etching with roulette, printed in color

plate 12 3/8 x 8 7/8" (31.4 x 22.5 cm)

Museum of Modern Art

TRAMP (plate, facing page 14) from PASSION

1928 · Aquatint, lift ground aquatint, etching, and soft ground etching with roulette, printed in color

plate 11 15/16 x 8 1/8" (30.3 x 20.6 cm)

Museum of Modern Art

CHRIST AT THE OUTSKIRTS OF THE CITY (plate facing page 8) from PASSION

1928 · Aquatint, lift ground aquatint, etching and soft ground etching with roulette, printed in color

composition 11 15/16 x 8 1/4" (30.4 x 20.9 cm)

Museum of Modern Art

Gustave Moreau, from Souvenir Intimes

1927 · Lithograph on ivory wove paper

Image: 23 × 17 cm (9 1/16 × 6 3/4 in.); Sheet: 45 × 32.5 cm (17 3/4 × 12 13/16 in.)

Art Institute of Chicago

Satan IV, plate twelve from Les Fleurs du Mal

1927 · Etching, drypoint, sugar-lift, burnishing on off-white wove paper

Plate: 34.5 × 25 cm (13 5/8 × 9 7/8 in.); Sheet: 38 × 28.5 cm (15 × 11 1/4 in.)

Art Institute of Chicago

When You Were Sleeping, My Beautiful Gloomy One, plate six from Les Fleurs du Mal

1927 · Etching, drypoint, roulette, scraping and burnishing on ivory wove paper

Plate: 26 × 36 cm (10 1/4 × 14 3/16 in.); Sheet: 32.5 × 44.5 cm (12 13/16 × 17 9/16 in.)

Art Institute of Chicago

In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere

1927 · Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper

Plate: 58.5 × 43.3 cm (23 1/16 × 17 1/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

De profundis, plate 47 from Miserere

1927 · Heliogravure, with aquatint, burnishing, and drypoint on paper

Plate: 43 × 60 cm (16 15/16 × 23 5/8 in.); Sheet: 50.5 × 65.5 cm (19 15/16 × 25 13/16 in.)

Art Institute of Chicago

This Will Be the Last Time, Dear Father!, plate 36 from Miserere

1927 · Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper

Plate: 58.8 × 43 cm (23 3/16 × 16 15/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Lord, it is You, Who I Recognize, plate 32 from Miserere

1927 · Heliogravure, with sugar-lift, burnishing, drypoint and scraping on paper

Plate: 57 × 45 cm (22 1/2 × 17 3/4 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Self-Portrait, from Souvenirs Intimes

1927 · Lithograph in black on ivory wove paper

Image: 23 × 17.2 cm (9 1/16 × 6 13/16 in.); Sheet: 46.8 × 33 cm (18 7/16 × 13 in.)

Art Institute of Chicago

Le Cirque (plate, preceding page 249) from Tableaux de Paris

1927 · Lithograph from an illustrated book with nine etchings (three with drypoint, one with aquatint), six lithographs, and five drypoints (one with roulette)

irreg. composition 8 15/16 x 6 3/8" (22.8 x 16.2 cm)

Museum of Modern Art

"ARISE, YE DEAD!," plate LIV (folio 169) from MISERERE

1927 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 1/4 x 17 1/2" (59 x 44.4 cm)

Museum of Modern Art

IN THESE DARK TIMES OF VAINGLORY AND UNBELIEF, OUR LADY OF LAND'S END KEEPS VIGIL, plate LVI (folio 175) from MISERERE

1927 · Lift ground aquatint, aquatint, etching, soft ground etching, and drypoint with roulette over photogravure, printed in black

plate 23 1/4 x 17 1/8" (59 x 43.5 cm)

Museum of Modern Art

WAR, WHICH ALL MOTHERS HATE, plate XLII (folio 133) from MISERERE

1927 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 x 17 3/8" (58.5 x 44.2 cm)

Museum of Modern Art

OUT OF THE DEPTHS..., plate XLVII (folio 148) from MISERERE

1927 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 17 x 23 3/4" (43.2 x 60.3 cm)

Museum of Modern Art

THIS WILL BE THE LAST TIME, LITTLE FATHER!, plate XXXVI (folio 115) from MISERERE

1927 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 23 5/16 x 17" (59.3 x 43.2 cm)

Museum of Modern Art

LORD, IT IS THOU, I KNOW THEE!, plate XXXII (folio 103) from MISERERE

1927 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 22 9/16 x 17 11/16" (57.4 x 45 cm)

Museum of Modern Art

MY SWEET HOMELAND, WHAT HAS BECOME OF YOU?, plate XLIV (folio 139) from MISERERE

1927 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 16 1/2 x 23 7/16" (42 x 59.5 cm)

Museum of Modern Art

Trial proof for War, Which All Mothers Hate, plate XLII from Miserere

1927 · Aquatint and drypoint with roulette over photogravure, with pen and ink additions

plate: 23 1/8 x 17 7/16" (58.8 x 44.3 cm); sheet (irreg.): 25 9/16 x 19 13/16" (65 x 50.3 cm)

Museum of Modern Art

Trial proof for Out Of The Depths..., plate XLVII from Miserere

1927 · Aquatint and drypoint with roulette over photogravure

plate: 17 x 23 3/4" (43.2 x 60.3 cm); sheet (irreg.): 19 7/8 x 25 11/16" (50.5 x 65.2 cm)

Museum of Modern Art

Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere

1927 · Aquatint, etching, and drypoint with roulette over photogravure

plate: 23 1/4 x 17 1/8" (59 x 43.5 cm); sheet (irreg.): 25 1/2 x 19 13/16" (64.8 x 50.3 cm)

Museum of Modern Art

Trial proof for Lord, It Is Thou, I Know Thee!, plate XXXII from Miserere

1927 · Aquatint and drypoint with roulette over photogravure, with pen and ink additions

plate: 22 5/8 x 17 11/16" (57.4 x 45 cm); sheet (irreg.): 25 11/16 x 19 7/8" (65.3 x 50.5 cm)

Museum of Modern Art

Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere

1927 · Aquatint and drypoint with roulette over photogravure

plate: 23 3/8 x 17" (59.3 x 43.2 cm); sheet (irreg.): 25 11/16 x 19 3/4" (65.2 x 50.1 cm)

Museum of Modern Art

Trial proof for "Arise, Ye Dead!," plate LIV from Miserere

1927 · Aquatint and drypoint with roulette over photogravure

Museum of Modern Art

Virgin of the Seven Swords, plate 53 from Miserere

1926 · Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper

Plate: 57.5 × 40.8 cm (22 11/16 × 16 1/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Virgin of the Seven Swords, plate 53 from Miserere

1926 · Heliogravure, with sugar-lift aquatint, burnishing, and drypoint, with touches of blue chalk on paper

Plate: 57.5 × 40.8 cm (22 11/16 × 16 1/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

With Tooth and Nail, plate 50 from Miserere

1926 · Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper

Plate: 57.2 × 44.2 cm (22 9/16 × 17 7/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere

1926 · Heliogravure, with scraping, burnishing, roulette, and drypoint on paper

Plate: 57.5 × 41 cm (22 11/16 × 16 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Even the Ruins Have Been Destroyed, plate 34 from Miserere

1926 · Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper

Plate: 57.5 × 44.5 cm (22 11/16 × 17 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Mortality has her Tears, plate 27 from Miserere

1926 · Heliogravure with sugar-lift aquatint, drypoint, burnishing on paper

Plate: 58 × 42 cm (22 7/8 × 16 9/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Are we not Slaves?, plate six from Miserere

1926 · Heliogravure, burnishing, drypoint, roulette on paper

Plate: 59 × 43.5 cm (23 1/4 × 17 3/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Virgin of the Seven Swords, plate 53 from Miserere

1926 · Heliogravure, with aquatint and brush on paper

Plate: 57.5 × 40.8 cm (22 11/16 × 16 1/8 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Gustave Moreau (with a small hat), from Souvenirs Intimes

1926 · Lithograph on ivory wove paper

Image: 23 × 17 cm (9 1/16 × 6 3/4 in.); Sheet: 32.5 × 25 cm (12 13/16 × 9 7/8 in.)

Art Institute of Chicago

Verlaine

1926 · Lithograph on paper

Image: 28.2 × 32 cm (11 1/8 × 12 5/8 in.); Sheet: 61 × 45.6 cm (24 1/16 × 18 in.)

Art Institute of Chicago

Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere

1926 · Aquatint on paper

Plate: 58.5 × 43 cm (23 1/16 × 16 15/16 in.); Sheet: 65.5 × 50.5 cm (25 13/16 × 19 15/16 in.)

Art Institute of Chicago

Self-Portrait with Cap

1926 · Lithograph

composition: 9 3/16 x 6 13/16" (23.3 x 17.3cm); sheet: 12 15/16 x 9 15/16" (32.9 x 25.3cm)

Museum of Modern Art

GUSTAVE MOREAU WITH WHITE BEARD

1926 · Lithograph, printed in black

Comp. 9 3/16 x 6 3/4" (23.3 x 17.1 cm)

Museum of Modern Art