Artworks · Georges Rouault

GUSTAVE MOREAU WITH WHITE BEARD

1926 · Lithograph, printed in black

Comp. 9 3/16 x 6 3/4" (23.3 x 17.1 cm)

Museum of Modern Art

Self Portrait

1926 · Lithograph

composition: 13 11/16 x 9 13/16" (34.7 x 24.9 cm)

Museum of Modern Art

Portrait of Charles Baudelaire

1926 · Lithograph

Comp. 10 7/16 x 6 1/2" (26.8 x 16.5 cm)

Museum of Modern Art

Gustave Moreau with the Small Hat

1926 · Lithograph, printed in black

Comp. 9 1/16 x 6 11/16" (23.0 x 17.0 cm)

Museum of Modern Art

BAUDELAIRE: LES FLEURS DU MAL. HEADS

1926 · Heliogravure, printed in black (with aquatint)

Plate 14 11/16 x 10 7/8" (37.3 x 27.6 cm) Sheet 19 7/8 x 12 1/2" (50.4 x 31.7 cm) 09/16/71

Museum of Modern Art

Baudelaire: Les Fleurs du mal. Bride and Groom,

1926 · Aquatint, drypoint and roulette

plate: 12 5/16 x 9 3/4" (31.3 x 24.7 cm); sheet: 17 1/2 x 13 3/16" (44.4 x 33.5 cm)

Museum of Modern Art

BAUDELAIRE: LES FLEURS DU MAL. CHERUB

1926 · Heliogravure, printed in black (with aquatint?)

Plate 14 3/4 x 10 7/8" (37.4 x 27.6 cm) Sheet 19 15/16 x 12 5/8" (50.7 x 32.0 cm)

Museum of Modern Art

Léon Bloy

1926 · Lithograph

composition: 9 1/4 x 6 9/16" (23.5 x 16.7cm); sheet: 12 7/8 x 9 13/16" (32.7 x 25cm)

Museum of Modern Art

J. K. Huysmans

1926 · Lithograph

composition: 9 1/8 x 6 3/4" (23.2 x 17.2cm); sheet: 12 7/8 x 9 13/16" (32.7 x 24.9cm)

Museum of Modern Art

ANDRÉ SAURÈS

1926 · Lithograph, printed in black

Sheet 12 7/8 x 9 3/4" (32.5 x 24.8 cm) Comp. 9 1/2 x 7" (24.1 x 17.8 cm)

Museum of Modern Art

ARE WE NOT ALL CONVICTS?, plate VI (folio 25) from MISERERE

1926 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 23 5/16 x 17 3/16" (59.3 x 43.7 cm)

Museum of Modern Art

VIRGIN OF THE SEVEN SWORDS, plate LIII (folio 166) from MISERERE

1926 · Aquatint and lift ground aquatint with roulette over photogravure, printed in black

plate 22 15/16 x 16 1/16" (58.2 x 40.8 cm)

Museum of Modern Art

THE LAW IS HARD, BUT IT IS THE LAW, plate LII (folio 163) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 22 5/8 x 17 1/8" (57.5 x 43.5 cm)

Museum of Modern Art

SOMETIMES THE BLIND HAVE COMFORTED THOSE WHO SEE, plate LV (folio 172) from MISERERE

1926 · Lift ground aquatint, etching, and drypoint with roulette over photogravure, printed in black

plate 23 x 17 3/16" (58.5 x 43.7 cm)

Museum of Modern Art

"OBEDIENT UNTO DEATH, EVEN THE DEATH OF THE CROSS," plate LVII (folio 178) from MISERERE

1926 · Lift ground aquatint with roulette over photogravure, printed in black

plate 22 15/16 x 16 5/8" (58.2 x 42.3 cm)

Museum of Modern Art

"THEY HAVE RUINED EVEN THE RUINS," plate XXXIV (folio 109) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 22 13/16 x 17 9/16" (58 x 44.6 cm)

Museum of Modern Art

IN ALL THINGS, TEARS..., plate XXVII (folio 88) from MISERERE

1926 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 22 13/16 x 16 9/16" (58 x 42.1 cm)

Museum of Modern Art

ANDRÉ SUARÈS (plate, facing page 7) from SOUVENIRS INTIMES

1926

irreg. composition 9 1/2 x 6 15/16" (24.2 x 17.7 cm)

Museum of Modern Art

SELF PORTRAIT I (frontispiece) from SOUVENIRS INTIMES

1926

irreg. composition 9 1/8 x 6 3/4" (23.2 x 17.2 cm)

Museum of Modern Art

CHRIST (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Lift ground aquatint and drypoint with roulette over photogravure, printed in black

plate 13 15/16 x 10" (35.4 x 25.5 cm)

Museum of Modern Art

DEBAUCHERY AND DEATH (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Etching and drypoint with roulette over photogravure, printed in color

plate 12 5/16 x 9 3/4" (31.3 x 24.8 cm)

Museum of Modern Art

IT IS A BEAUTIFUL WOMAN WITH A HANDSOME NECK... (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in color with pastel smudges

plate 13 15/16 x 10 1/16" (35.5 x 25.6 cm)

Museum of Modern Art

WHILE YOU SLEEP, MY BEAUTIFUL MYSTERIOUS ONE... (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Drypoint with roulette over photogravure, printed in black

plate 10 9/16 x 14 5/16" (26.8 x 36.3 cm)

Museum of Modern Art

SATAN III (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Drypoint and etching over photogravure, printed in black

plate 13 15/16 x 10 1/4" (35.5 x 26.1 cm)

Museum of Modern Art

SKELETON (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Lift ground aquatint with roulette over photogravure, printed in black

plate 13 15/16 x 10 3/16" (35.5 x 25.9 cm)

Museum of Modern Art

SKELETON (duplicate unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Lift ground aquatint with roulette over photogravure, printed in black

plate 13 15/16 x 10 3/16" (35.5 x 25.9 cm)

Museum of Modern Art

PROSTITUTION BREAKING OUT IN THE STREETS... (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Aquatint, lift ground aquatint, and drypoint over photogravure, printed in black

plate 13 7/16 x 9 7/16" (34.2 x 24 cm)

Museum of Modern Art

SATAN IV (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 11/16 x 9 15/16" (34.8 x 25.3 cm)

Museum of Modern Art

IN SO MANY DIFFERENT WAYS, THE NOBLE VOCATION OF SOWING HOSTILE LAND, plate XXII (folio 73) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 1/4 x 16 15/16" (59 x 43 cm)

Museum of Modern Art

"JESUS WILL BE IN ANGUISH UNTIL THE END OF THE WORLD...," plate XXXV (folio 112) from MISERERE

1926 · Lift ground aquatint, soft ground etching, and drypoint with roulette over photogravure, printed in black

plate 22 15/16 x 16 1/4" (58.3 x 41.3 cm)

Museum of Modern Art

THE CHINESE INVENTED GUNPOWDER, THEY SAY, AND MADE US A GIFT OF IT, plate XXXVIII (folio 121) from MISERERE

1926 · Aquatint and drypoint with roulette over photogravure, printed in black

plate 22 11/16 x 16 1/4" (57.7 x 41.3 cm)

Museum of Modern Art

FACE TO FACE, plate XL (folio 127) from MISERERE

1926 · Aquatint, etching, and drypoint with roulette over photogravure, printed in black

plate 22 5/8 x 17 1/8" (57.5 x 43.5 cm)

Museum of Modern Art

"THE RIGHTEOUS, LIKE SANDALWOOD, PERFUME THE AXE THAT FALLS ON THEM," plate XLVI (folio 145) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 23 1/4 x 16 9/16" (59 x 42.1 cm)

Museum of Modern Art

"THE NOBLER THE HEART, THE LESS STIFF THE COLLAR," plate XLIX (folio 154) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint over photogravure, printed in black

plate 23 1/8 x 16 5/8" (58.7 x 42.3 cm)

Museum of Modern Art

"WITH TOOTH AND NAIL," plate L (folio 157) from MISERERE

1926 · Lift ground aquatint, aquatint, and drypoint over photogravure, printed in black

plate 22 11/16 x 17 1/2" (57.6 x 44.4 cm)

Museum of Modern Art

J.-K. HUYSMANS (plate, facing page 85) from SOUVENIRS INTIMES

1926

irreg. composition 9 1/8 x 6 11/16" (23.2 x 17 cm)

Museum of Modern Art

GUSTAVE MOREAU (WITH A SMALL HAT) (plate, facing page 17) from SOUVENIRS INTIMES

1926

irreg. composition 9 1/16 x 6 3/4" (23 x 17.1 cm)

Museum of Modern Art

GUSTAVE MOREAU (WITH A WHITE BEARD) (plate, facing page 29) from SOUVENIRS INTIMES

1926

irreg. composition 9 1/8 x 6 3/4" (23.2 x 17.1 cm)

Museum of Modern Art

NUDE IN PROFILE (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Lift ground aquatint and drypoint over photogravure, printed in black

plate 13 1/4 x 9 3/4" (33.7 x 24.7 cm)

Museum of Modern Art

BENEATH A FORGOTTEN CRUCIFIX, plate XX (folio 67) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black

plate 22 15/16 x 16 5/16" (58.3 x 41.5 cm)

Museum of Modern Art

MAN IS A WOLF TO MAN, plate XXXVII (folio 118) from MISERERE

1926 · Aquatint, lift ground aquatint, and drypoint over photogravure, printed in black

plate 22 15/16 x 16 7/16" (58.2 x 41.8 cm)

Museum of Modern Art

PROUD, AS LONG AS ALIVE, OF HER NOBLE STATURE... (unpublished proof) from LES FLEURS DU MAL (published 1966)

1926 · Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, printed in black, with paint splatters

plate 14 1/8 x 10 5/16" (35.9 x 26.2 cm)

Museum of Modern Art

SOUVENIRS INTIMES

1926 · 6 transfer lithographs, printed in black

irreg. page 12 15/16 x 9 13/16" (33 x 25 cm)

Museum of Modern Art

LÉON BLOY (plate, facing page 53) from SOUVENIRS INTIMES

1926

irreg. composition 9 1/4 x 6 9/16" (23.5 x 16.7 cm)

Museum of Modern Art

Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere

1926 · Aquatint and drypoint over photogravure, with pen and ink additions

plate: 23 1/16 x 16 9/16" (58.5 x 42 cm); sheet (irreg.): 25 11/16 x 19 15/16" (65.3 x 50.7 cm)

Museum of Modern Art

Trial proof for In All Things, Tears..., plate XXVII from Miserere

1926 · Aquatint and drypoint with roulette over photogravure, with pen and ink additions

plate: 22 13/16 x 16 9/16" (58 x 42.1 cm); sheet (irreg.): 25 11/16 x 19 7/8" (65.2 x 50.5 cm)

Museum of Modern Art

Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere

1926 · Aquatint, drypoint and photogravure with ink additions

plate: 23 1/16 x 16 5/8" (58.6 x 42.3 cm); sheet: 25 9/16 x 19 3/4" (65 x 50.2 cm)

Museum of Modern Art

Trial proof for Sometimes The Blind Have Comforted Those Who See, plate LV from Miserere

1926 · Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions

plate: 23 1/16 x 17 3/16" (58.5 x 43.7 cm); sheet (irreg.): 25 9/16 x 19 13/16" (65 x 50.3 cm)

Museum of Modern Art