Artworks · James Barry

The Angelic Guards

1808 · Etching and engraving; fourth state of four

Plate: 29 1/8 × 19 11/16 in. (74 × 50 cm) Sheet: 30 7/16 × 20 3/8 in. (77.3 × 51.8 cm)

The Metropolitan Museum of Art

Divine Justice

1808 · Etching and engraving; final published state

Plate: 29 1/8 × 19 7/8 in. (74 × 50.5 cm) Sheet: 37 in. × 25 1/8 in. (94 × 63.8 cm)

The Metropolitan Museum of Art

Pandora

1804 · Engraving in black on ivory wove paper

Image: 63 × 91.7 cm (24 13/16 × 36 1/8 in.); Plate: 63 × 91.8 cm (24 13/16 × 36 3/16 in.); Sheet: 64.4 × 93.7 cm (25 3/8 × 36 15/16 in.)

Art Institute of Chicago

Milton Dictating to Ellwood the Quaker

1804 · Etching and engraving with some aquatint on ivory wove paper

Plate: 57.8 × 42.3 cm (22 13/16 × 16 11/16 in.); Sheet: 67.4 × 52.6 cm (26 9/16 × 20 3/4 in.)

Art Institute of Chicago

Eastern Patriarch, from the first issue of Specimens of Polyautography

1803 · Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper

Image/primary support: 23 × 31.7 cm (9 1/16 × 12 1/2 in.); Secondary support: 37.5 × 48.9 cm (14 13/16 × 19 5/16 in.)

Art Institute of Chicago

The Thames, or the Triumph of Navigation

1792 · Etching with engraving; second state of five

Plate: 16 5/16 × 19 7/8 in. (41.5 × 50.5 cm)

The Metropolitan Museum of Art

De bekroning van de winnaars te Olympia

1792 · etching on paper, ink

height: 575 cm, width: 970 cm

Rijksmuseum

The Thames, or The Triumph of Navigation

1791 · Etching with engraving on cream laid paper

14.7 × 50.5 cm (5 13/16 × 19 15/16 in.)

Art Institute of Chicago

A Grecian Harvest-Home, or Thanksgiving to the Rural Deities, Ceres, Bacchus, etc.

1791 · Etching and engraving; unrecorded alternate third state of four

Sheet: 16 1/8 × 19 13/16 in. (41 × 50.3 cm)

The Metropolitan Museum of Art

Orpheus Instructing a Savage People in Theology and the Arts of Social Life

1791 · Etching and engraving; second state of three

Plate: 16 5/16 × 19 13/16 in. (41.5 × 50.4 cm) Sheet: 16 5/8 × 19 15/16 in. (42.3 × 50.7 cm)

The Metropolitan Museum of Art

The Conversion of Polemon

1778 · Etching with engraving and roulette and traces of aquatint; ninth state of nine

Plate: 22 1/2 × 29 7/16 in. (57.2 × 74.8 cm) Sheet: 24 13/16 × 32 3/16 in. (63 × 81.8 cm)

The Metropolitan Museum of Art

Job Reproved by His Friends

1777 · Etching over traces of aquatint; third state of five

Plate: 22 1/2 × 30 1/16 in. (57.2 × 76.3 cm) Sheet: 25 11/16 × 35 7/16 in. (65.2 × 90 cm)

The Metropolitan Museum of Art

Study for Commerce or the Triumph of the Thames

1767 · Pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper

31.4 × 48.2 cm (12 3/8 × 19 in.)

Art Institute of Chicago

Antique Mosaic in the Barberini Palace

1761 · Pen and brown ink, with brush and gray and brown wash, on ivory laid paper

25.4 × 28.4 cm (10 × 11 3/16 in.)

Art Institute of Chicago

Head of Neptune

1700 · Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper

11.2 × 27.7 cm (4 7/16 × 10 15/16 in.)

Art Institute of Chicago