WATTS INDEXThe canonical database of visual culture

Artists›Pietro Perugino

Pietro Perugino

1448–1523

WA-00020002

Città della Pieve, Italy

PaintingRenaissance

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

90%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (1)

WikidataQ5827

Selected Institutional Exhibitions

View all exhibitions →

No image

The Taste of a Connoisseur: The Paul J. Sachs Collection

Museum of Modern Art, New York

1966–1967

Field Verification (1 fields)

0 cross-verified · 1 single-source

NationalityArtsy· 85%

Source Registry (2)

Artsy (bulk)https://www.artsy.net/artist/pietro-perugino
Tier 1 · Institutional85%
Wikidata
Tier 1 · Institutional40%

About

Why this artist matters now

Pietro Perugino was an Italian Renaissance painter of the Umbrian school who developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.

Source: Artsy · Trust score: 85% · Updated 1mo ago

Graph relationships

Taste overlap and adjacency

Movement

Renaissance

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Canonical record

Artworks (20)

The Adoration of the Shepherds

1512 · pen and brown ink over black chalk on laid paper

overall: 13.3 x 21.6 cm (5 1/4 x 8 1/2 in.)

National Gallery of Art

Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)

1501 · Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso)

8 9/16 x 6 15/16 in. (21.7 x 17.6 cm)

The Metropolitan Museum of Art

Two Standing Draped Male Figures

1501 · Pen and brush and brown ink, with lead white, on tan laid paper with light green wash

28.4 × 21.9 cm (11 3/16 × 8 5/8 in.)

Art Institute of Chicago

Madonna and Child

1500 · oil on poplar panel

overall: 70.2 x 50 cm (27 5/8 x 19 11/16 in.) framed: 88.9 x 69.9 x 8.3 cm (35 x 27 1/2 x 3 1/4 in.)

National Gallery of Art

Study of a Kneeling Youth and of the Head of Another

1500 · Metalpoint on pale pink-beige prepared paper

8 11/16 x 4 1/2 in. (22 x 11.5 cm)

The Metropolitan Museum of Art

Noli Me Tangere

1500 · Tempera on panel, transferred to canvas

27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)

Art Institute of Chicago

The Baptism of Christ

1500 · Tempera on panel, transferred to canvas

27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)

Art Institute of Chicago

The Nativity

1500 · Tempera on panel, transferred to canvas

26.2 × 46.3 cm (10 5/16 × 18 1/4 in.)

Art Institute of Chicago

Christ and the Woman of Samaria

1500 · Tempera on panel, transferred to canvas

27.3 × 46.3 cm (10 3/4 × 18 1/4 in.)

Art Institute of Chicago

The Resurrection

1497 · Tempera on wood

10 5/8 x 18 in. (27 x 45.7 cm)

The Metropolitan Museum of Art

Landscape (recto); Landscape (verso)

1489 · Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)

8 1/16 × 11 in. (20.4 × 28 cm)

The Metropolitan Museum of Art

Portrait of Lorenzo di Credi

1488 · oil on panel transferred to canvas

original panel: 44 x 30.5 cm (17 5/16 x 12 in.) overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in.) framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in.)

National Gallery of Art

The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene

1482 · oil on panel transferred to canvas

left panel: 95 × 30.1 cm (37 3/8 × 11 7/8 in.) framed: 133.99 × 165.74 × 15.24 cm (52 3/4 × 65 1/4 × 6 in.)

National Gallery of Art

The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [right panel]

1482 · oil on panel transferred to canvas

right panel: 95 × 30.1 cm (37 3/8 × 11 7/8 in.) framed: 134 × 165.1 × 17.15 cm (52 3/4 × 65 × 6 3/4 in.)

National Gallery of Art

The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel]

1482 · oil on panel transferred to canvas

left panel: 95 × 30.1 cm (37 3/8 × 11 7/8 in.) framed: 134 × 165.1 × 17.15 cm (52 3/4 × 65 × 6 3/4 in.)

National Gallery of Art

The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [middle panel]

1482 · oil on panel transferred to canvas

middle panel: 101.5 × 56.5 cm (39 15/16 × 22 1/4 in.) framed: 134 × 165.1 × 17.15 cm (52 3/4 × 65 × 6 3/4 in.)

National Gallery of Art

a) The Baptism of Christ; b) Draped Figure Holding a Book and Man Wielding an Ax with a Figure

1475 · a) pen and brown ink b) pen and brown ink and black chalk

overall (approximate): 19.3 x 19.8 cm (7 5/8 x 7 13/16 in.)

National Gallery of Art

Study of the Head of a Youth Gazing Upward

1471 · Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink.

8 7/8 x 5 15/16 in. (22.6 x 15.1 cm)

The Metropolitan Museum of Art

Group of Warriors Standing

1471 · Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper.

9 13/16 x 6 5/16 in. (24.9 x 16.1 cm)

The Metropolitan Museum of Art

Saint John the Baptist; Saint Lucy

1469 · Oil(?) on wood

Each 63 x 26 3/8 in. (160 x 67 cm)

The Metropolitan Museum of Art

View all 20 artworks →

Artwork sources (3)

20 published of 20 catalogued · 20 with image

Nga
8 published8 img
The Met
7 published7 img
Art Institute Chicago
5 published5 img

Record

Images

Artsy

Wikipedia

Relationships

Movements1

Renaissance

Collections3

The Metropolitan Museum of Art Art Institute of Chicago National Gallery of Art

Institutional

Representation & Collections

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

National Gallery of Art

Record

Exhibitions and timeline

Group Exhibition The Taste of a Connoisseur: The Paul J. Sachs Collection

New York · 1966