Artworks · William Hogarth

Four Prints of an Election, plate 2: Canvassing for Votes, engraved by Charles Grignion

1757 · Etching and engraving on paper

image: 405 x 537 mm

Tate

An Election Entertainment, plate one from Four Prints of an Election

1757 · Engraving in black on cream laid paper

Image: 40 × 54 cm (15 3/4 × 21 5/16 in.); Plate: 43.7 × 55.9 cm (17 1/4 × 22 1/16 in.); Sheet: 44.9 × 58 cm (17 11/16 × 22 7/8 in.)

Art Institute of Chicago

France

1756 · etching and engraving

sheet: 31.6 × 38.6 cm (12 7/16 × 15 3/16 in.) mount: 45.5 × 62.8 cm (17 15/16 × 24 3/4 in.)

National Gallery of Art

England

1756 · etching and engraving

sheet: 31.5 × 38.4 cm (12 3/8 × 15 1/8 in.) mount (irreg.): 45.4 × 62.8 cm (17 7/8 × 24 3/4 in.)

National Gallery of Art

Plate Two, from The Analysis of Beauty

1756 · Etching and engraving in black on cream laid paper (now split in two, with the left side laid down on back book cover and the right side in two parts)

Image: 36.5 × 49.5 cm (14 3/8 × 19 1/2 in.); Plate: 41.5 × 54.5 cm (16 3/8 × 21 1/2 in.); Sheet: 43.5 × 56.5 cm (17 3/16 × 22 1/4 in.)

Art Institute of Chicago

The Invasion, Plate 2: England

1756 · Etching; third state of three

plate: 12 9/16 x 15 1/4 in. (31.9 x 38.8 cm)

The Metropolitan Museum of Art

The Invasion, Plate 2: England

1756 · Etching; third state of three

sheet: 12 9/16 x 15 3/16 in. (31.9 x 38.5 cm)

The Metropolitan Museum of Art

The Invasion, Plate 1: France

1756 · Etching and engraving; third state of three

plate: 12 1/2 x 15 1/2 in. (31.7 x 39.3 cm)

The Metropolitan Museum of Art

The Invasion, Plate 1: France

1756 · Engraving; third state of three

sheet: 12 7/16 x 15 1/4 in. (31.6 x 38.8 cm)

The Metropolitan Museum of Art

Time Smoking a Picture

1756 · Etching and aquatint; third state of three (not recorded by Paulson)

image: 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm)

The Metropolitan Museum of Art

An Election Entertainment

1755 · etching and engraving

sheet: 43.1 × 55.4 cm (16 15/16 × 21 13/16 in.) mount: 46.3 × 62.7 cm (18 1/4 × 24 11/16 in.)

National Gallery of Art

An Election Entertainment, Plate I: Four Prints of an Election

1755 · Etching and engraving; eighth state of eight

sheet: 16 5/16 x 21 3/4 in. (41.5 x 55.2 cm)

The Metropolitan Museum of Art

Crowns, Mitres, Maces, etc.

1755 · Etching; fourth state of four

sheet: 8 13/16 x 7 1/2 in. (22.4 x 19.1 cm)

The Metropolitan Museum of Art

An Election Entertainment, Plate I: Four Prints of an Election

1755 · Etching and engraving; state six of eight

plate: 15 7/8 x 21 5/16 in. (40.3 x 54.1 cm)

The Metropolitan Museum of Art

Crowns, Mitres, Maces, Etc.

1754 · etching

sheet: 22.5 × 19.5 cm (8 7/8 × 7 11/16 in.)

National Gallery of Art

Analysis of Beauty: pl.2

1753 · etching and engraving

sheet: 41.3 × 51.8 cm (16 1/4 × 20 3/8 in.) mount: 46.3 × 62.8 cm (18 1/4 × 24 3/4 in.)

National Gallery of Art

Analysis of Beauty: pl.1

1753 · etching and engraving

overall: 38.2 × 50.1 cm (15 1/16 × 19 3/4 in.)

National Gallery of Art

The analysis of beauty : written with a view of fixing the fluctuating ideas of taste

1753

xxii, [2], 153, [5] pages, 2 folded leaves of plates : illustrations ; Height: 10 1/4 in. (26 cm)

The Metropolitan Museum of Art

Analysis of Beauty, Plate 2

1753 · Engraving; third state of three

sheet: 16 3/4 x 21 1/16 in. (42.5 x 53.5 cm)

The Metropolitan Museum of Art

Analysis of Beauty, Plate 1

1753 · Etching and engraving; third state of three

plate: 15 3/8 x 19 7/8 in. (39 x 50.5 cm)

The Metropolitan Museum of Art

Analysis of Beauty, Plate 2

1753 · Engraving; first state of three

sheet: 15 3/8 x 20 11/16 in. (39 x 52.5 cm)

The Metropolitan Museum of Art

The Analysis of Beauty, Plate 1

1753 · Etching and engraving; third state of three

sheet: 15 1/4 x 19 11/16 in. (38.8 x 50 cm)

The Metropolitan Museum of Art

Plate One, from The Analysis of Beauty

1753 · Etching and engraving in black on cream laid paper (now in two parts, with the right side laid down on front book cover)

Image: 36.6 × 49 cm (14 7/16 × 19 5/16 in.); Plate: 41 × 54 cm (16 3/16 × 21 5/16 in.); Sheet: 42 × 56.5 cm (16 9/16 × 22 1/4 in.)

Art Institute of Chicago

The analysis of beauty : written with a view of fixing the fluctuating ideas of taste

1753

xxii, [2], 153, [5] pages, 2 folded leaves of plates : illustrations ; Height: 10 1/4 in. (26 cm)

The Metropolitan Museum of Art

Columbus Breaking the Egg

1752 · etching

sheet: 19.8 × 20.2 cm (7 13/16 × 7 15/16 in.)

National Gallery of Art

Paul before Felix

1752 · etching and engraving

sheet: 41.5 × 51.8 cm (16 5/16 × 20 3/8 in.) mount: 46.6 × 62.8 cm (18 3/8 × 24 3/4 in.)

National Gallery of Art

Paul before Felix

1752 · Etching and engraving on paper

image: 384 x 508 mm

Tate

Moses Brought to Pharoah’s Daughter

1752 · Etching and engraving on paper

image: 390 x 505 mm

Tate

Paul Before Felix

1752 · Etching and engraving; third state of three

sheet: 16 3/4 x 20 9/16 in. (42.5 x 52.3 cm)

The Metropolitan Museum of Art

Paul Before Felix

1752 · Etching and engraving; third state of three

sheet: 16 1/4 x 20 13/16 in. (41.3 x 52.8 cm)

The Metropolitan Museum of Art

Paul before Felix Burlesqued

1751 · etching with some mezzotint tone

sheet: 26.2 × 35 cm (10 5/16 × 13 3/4 in.)

National Gallery of Art

Gin Lane

1751 · etching and engraving

sheet: 38.9 × 32.3 cm (15 5/16 × 12 11/16 in.) mount: 62.8 × 45.6 cm (24 3/4 × 17 15/16 in.)

National Gallery of Art

Beer Street

1751 · etching and engraving

sheet: 37.7 × 32 cm (14 13/16 × 12 5/8 in.) sheet: 62.7 × 45.3 cm (24 11/16 × 17 13/16 in.)

National Gallery of Art

The Reward of Cruelty

1751 · etching and engraving

sheet (trimmed to plate): 38.6 × 31.8 cm (15 3/16 × 12 1/2 in.) mount: 62.7 × 45.1 cm (24 11/16 × 17 3/4 in.)

National Gallery of Art

Cruelty in Perfection

1751 · etching and engraving

sheet: 38.5 × 31.7 cm (15 3/16 × 12 1/2 in.) mount: 62.9 × 45.5 cm (24 3/4 × 17 15/16 in.)

National Gallery of Art

The Second Stage of Cruelty

1751 · etching and engraving

sheet: 38.5 × 31.6 cm (15 3/16 × 12 7/16 in.) mount: 62.8 × 45.2 cm (24 3/4 × 17 13/16 in.)

National Gallery of Art

The First Stage of Cruelty

1751 · etching and engraving

sheet: 38.3 × 31.7 cm (15 1/16 × 12 1/2 in.) mount (irreg.): 43.1 × 35.5 cm (16 15/16 × 14 in.)

National Gallery of Art

Gin Lane

1751 · Etching and engraving on paper

image: 357 x 305 mm

Tate

Moses Brought to Pharaoh’s Daughter

1751 · Various red chalks (one oxidized to black) on cream laid paper

40.6 × 52.5 cm (16 × 20 11/16 in.)

Art Institute of Chicago

Beer Street

1751 · Etching and engraving; second state of three

Sheet: 14 7/8 × 12 9/16 in. (37.8 × 31.9 cm)

The Metropolitan Museum of Art

Paul Before Felix Burlesqued

1751 · Etching and engraving with some mezzotint tone; fourth state of five

plate: 10 5/16 x 13 7/8 in. (26.2 x 35.2 cm)

The Metropolitan Museum of Art

Beer Street

1751 · Etching and engraving; third state of three

plate: 15 3/8 x 12 13/16 in. (39 x 32.5 cm)

The Metropolitan Museum of Art

Gin Lane

1751 · Etching and engraving; third state of three

sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm)

The Metropolitan Museum of Art

The First Stage of Cruelty (The Four Stages of Cruelty)

1751 · Etching and engraving; first state of two

sheet: 14 3/4 x 12 1/2 in. (37.5 x 31.7 cm)

The Metropolitan Museum of Art

Cruelty in Perfection (The Four Stages of Cruelty)

1751 · Etching and engraving; only state

sheet: 12 7/16 x 12 1/2 in. (31.6 x 31.8 cm)

The Metropolitan Museum of Art

The Reward of Cruelty (The Four Stages of Cruelty)

1751 · Etching and engraving; third state of three

sheet: 14 7/8 x 12 1/2 in. (37.8 x 31.8 cm)

The Metropolitan Museum of Art

The Second Stage of Cruelty (The Four Stages of Cruelty)

1751 · Etching and engraving; first state of two

sheet: 14 15/16 x 12 5/8 in. (37.9 x 32 cm)

The Metropolitan Museum of Art

Boys Peeping at Nature

1751 · Etching and engraving; fourth state of four

plate: 6 x 4 15/16 in. (15.2 x 12.5 cm)

The Metropolitan Museum of Art