Artworks · William Hogarth

Beer Street

1751 · Engraving; third state of three

sheet: 15 1/8 x 12 11/16 in. (38.4 x 32.2 cm)

The Metropolitan Museum of Art

Gin Lane

1751 · Etching and engraving; third state of three

sheet: 15 1/16 x 12 1/2 in. (38.3 x 31.7 cm)

The Metropolitan Museum of Art

Paul Before Felix Burlesqued

1751 · Etching and engraving with some mezzotint tone; fourth state of five

plate: 10 5/16 x 13 7/8 in. (26.2 x 35.2 cm)

The Metropolitan Museum of Art

The Second Stage of Cruelty (The Four Stages of Cruelty)

1751 · Etching and engraving; first state of two

sheet: 14 15/16 x 12 5/8 in. (37.9 x 32 cm)

The Metropolitan Museum of Art

The Second Stage of Cruelty (The Four Stages of Cruelty)

1751 · Etching and engraving; first state of two

plate: 15 1/4 x 12 9/16 in. (38.8 x 31.9 cm)

The Metropolitan Museum of Art

Cruelty in Perfection (The Four Stages of Cruelty)

1751 · Etching and engraving; only state

plate: 15 1/4 x 12 11/16 in. (38.8 x 32.2 cm)

The Metropolitan Museum of Art

Boys Peeping at Nature

1751 · Etching and engraving; late state

plate: 5 15/16 x 4 15/16 in. (15.1 x 12.5 cm)

The Metropolitan Museum of Art

Paul Before Felix Burlesqued

1751 · Etching and engraving with some mezzotint tone; second state of five

sheet: 10 1/4 x 13 3/4 in. (26 x 35 cm)

The Metropolitan Museum of Art

Boys Peeping at Nature

1751 · Etching and engraving; fourth state of four

sheet: 5 7/8 x 4 13/16 in. (15 x 12.3 cm) (trimmed)

The Metropolitan Museum of Art

Paul Before Felix Burlesqued

1751 · Etching and engraving with some mezzotint tone; fourth state of five

sheet: 10 1/4 x 13 13/16 in. (26 x 35.1 cm)

The Metropolitan Museum of Art

Gin Lane

1751 · Engraved copper plate

15 7/16 x 12 7/8 in. (39.2 x 32.7 cm)

The Metropolitan Museum of Art

Beer Street

1751 · Engraved copper plate

15 7/16 x 13 in. (39.2 x 33 cm)

The Metropolitan Museum of Art

Beer Street

1751 · Engraved copper plate

15 7/16 x 13 in. (39.2 x 33 cm)

The Metropolitan Museum of Art

Gin Lane

1751 · Engraved copper plate

15 7/16 x 12 7/8 in. (39.2 x 32.7 cm)

The Metropolitan Museum of Art

George Taylor Triumphing over Death

1750 · Chalk on paper

support: 495 x 396 mm

Tate

The March to Finchley

1750 · Etching and engraving on paper

image: 418 x 542 mm

Tate

Heads of Six of Hogarth’s Servants

1750 · Oil paint on canvas

support: 630 x 755 mm frame: 883 x 1009 x 65 mm

Tate

The Reward of Cruelty

1750 · Woodcut in black on ivory laid paper

Image/block: 45.5 × 38.5 cm (17 15/16 × 15 3/16 in.); Sheet: 52 × 42.4 cm (20 1/2 × 16 3/4 in.)

Art Institute of Chicago

Cruelty in Perfection

1750 · Woodcut with letterpress in black on ivory laid paper

Image/block: 45.2 × 38.2 cm (17 13/16 × 15 1/16 in.); Sheet: 51.6 × 41.5 cm (20 3/8 × 16 3/8 in.)

Art Institute of Chicago

Marriage A-la-Mode, plate IV (reverse copy)

1750 · Etching and engraving

Sheet: 19 5/8 x 24 7/8 in. (49.8 x 63.2 cm)

The Metropolitan Museum of Art

Portrait of George Osborne, later John Ranby Jnr

1749 · oil paint

support: 630 x 565 mm frame: 800 x 738 x 65 mm

Tate

Portrait of Hannah, Daughter of John Ranby Snr

1749 · oil paint

support: 635 x 565 mm frame: 802 x 732 x 67 mm

Tate

O the Roast Beef of Old England (‘The Gate of Calais’)

1749 · Etching and engraving on paper

image: 432 x 569 mm

Tate

A Stand of Arms, Musical Instruments, etc.

1749 · Engraving and etching; only state

plate: 7 1/16 x 9 1/8 in. (18 x 23.2 cm)

The Metropolitan Museum of Art

Gulielmus Hogarth

1748 · etching and engraving

sheet: 62.8 × 46.7 cm (24 3/4 × 18 3/8 in.)

National Gallery of Art

O the Roast Beef of Old England (‘The Gate of Calais’)

1748 · Oil paint on canvas

support: 788 x 945 mm frame: 1072 x 1228 x 105 mm

Tate

The Roast Beef of Old England

1748 · Engraving in black on tan wove paper

Plate: 38.5 × 45.5 cm (15 3/16 × 17 15/16 in.); Sheet: 47 × 62.9 cm (18 9/16 × 24 13/16 in.)

Art Institute of Chicago

The Stage-coach, or the Country Inn Yard

1747 · etching and engraving

sheet: 21.4 × 30.7 cm (8 7/16 × 12 1/16 in.)

National Gallery of Art

The Idle 'Prentice Executed at Tyburn

1747 · etching and engraving

sheet: 27.3 × 40.6 cm (10 3/4 × 16 in.)

National Gallery of Art

The Industrious 'Prentice Alderman of London,the Idle one brought before him & impea ch'd by his Accomplice

1747 · etching and engraving

sheet: 26.5 × 35 cm (10 7/16 × 13 3/4 in.)

National Gallery of Art

The Industrious 'Prentice Lord-Mayor of London

1747 · etching and engraving

sheet: 27.2 × 40.5 cm (10 11/16 × 15 15/16 in.)

National Gallery of Art

The Idle 'Prentice betray'd by his Whore, & taken in a Night Cellar with his Accomplice

1747 · etching and engraving

sheet: 26.4 × 34.7 cm (10 3/8 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice grown rich & Sheriff of London

1747 · etching and engraving

sheet: 26.2 × 34.7 cm (10 5/16 × 13 11/16 in.)

National Gallery of Art

The Idle 'Prentice return'd from Sea & in a Garret with a common Prostitute

1747 · etching and engraving

sheet: 26.5 × 34.8 cm (10 7/16 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice a Favorite, and entrusted by his Master

1747 · etching and engraving

sheet: 26.3 × 34.8 cm (10 3/8 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice out of his Time, and Married to his Master's Daughter

1747 · etching and engraving

sheet: 26.5 × 34.8 cm (10 7/16 × 13 11/16 in.)

National Gallery of Art

The Idle 'Prentice turn'd away, and sent to Sea

1747 · etching and engraving

National Gallery of Art

The Fellow 'Prentices at Their Looms

1747 · etching and engraving

sheet: 26.6 × 34.9 cm (10 1/2 × 13 3/4 in.)

National Gallery of Art

The Industrious 'Prentice performing the Dutyof a Christian

1747 · etching and engraving

sheet: 26.7 × 35 cm (10 1/2 × 13 3/4 in.)

National Gallery of Art

The Idle 'Prentice at Play in the Church Yard, during Divine Service

1747 · etching and engraving

sheet: 26.2 × 34.8 cm (10 5/16 × 13 11/16 in.)

National Gallery of Art

The Industrious 'Prentice Grown Rich and Sheriff of London (Industry and Idleness, plate 8)

1747 · Etching and engraving; second state of two

plate: 10 1/4 x 13 1/2 in. (26 x 34.3 cm)

The Metropolitan Museum of Art

The Idle 'Prentice Executed at Tyburn (Industry and Idleness, plate 11)

1747 · Etching and engraving; third state of three

sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm)

The Metropolitan Museum of Art

The Idle 'Prentice Turned Away and Sent to Sea (Industry and Idleness, plate 5)

1747 · Etching and engraving; second state of three

plate: 10 3/8 x 13 9/16 in. (26.4 x 34.5 cm)

The Metropolitan Museum of Art

The Industrious 'Prentice Lord Mayor of London (Industry and Idleness, plate12)

1747 · Etching and engraving; third state of three

sheet: 10 3/8 x 15 11/16 in. (26.4 x 39.8 cm)

The Metropolitan Museum of Art

The Industrious 'Prentice Alderman of London, The Idle One Brought Before Him and Impeached by his Accomplices (Industry and Idleness, plate 10)

1747 · Etching and engraving; second state of two

sheet: 10 3/16 x 13 11/16 in. (25.8 x 34.8 cm)

The Metropolitan Museum of Art

The Idle 'Prentice Executed at Tyburn: Industry and Idleness, plate 11

1747 · Etching and engraving; second state of three

sheet: 10 5/8 x 15 13/16 in. (27 x 40.2 cm)

The Metropolitan Museum of Art

The Industrious 'Prentice a Favorite and Entrusted by his Master (Industry and Idleness, plate 4)

1747 · Etching and engraving; second state of two

plate: 10 3/8 x 13 1/2 in. (26.3 x 34.3 cm)

The Metropolitan Museum of Art

The Industrious 'Prentice Performing the Duty of a Christian: IIndustry and Idleness, plate 2

1747 · Etching and engraving; first state of two

sheet: 10 3/8 x 13 3/4 in. (26.4 x 34.9 cm)

The Metropolitan Museum of Art