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Artworks

539 records · Embossing
Flame Out For Picasso from Homage to Picasso (Hommage à Picasso)
Flame Out For Picasso from Homage to Picasso (Hommage à Picasso)
James Rosenquist
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Joan Miró
Etching and aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Nicholas Krushenick
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Earth Ritual from Homage to Picasso (Hommage à Picasso)
Earth Ritual from Homage to Picasso (Hommage à Picasso)
Joe Tilson
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
The Student from Homage to Picasso (Hommage à Picasso)
The Student from Homage to Picasso (Hommage à Picasso)
David Hockney
Aquatint and etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Four Reclining Figures from Homage to Picasso (Hommage à Picasso)
Four Reclining Figures from Homage to Picasso (Hommage à Picasso)
Henry Moore
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Ariadne from Homage to Picasso (Hommage à Picasso)
Ariadne from Homage to Picasso (Hommage à Picasso)
Gerhard Altenbourg
Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Jorge Castillo
Etching, aquatint, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Helmut A. P. Grieshaber
Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Viva Picasso from Homage to Picasso (Hommage à Picasso)
Viva Picasso from Homage to Picasso (Hommage à Picasso)
Jean Tinguely
Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Hans Bellmer
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Homage to Picasso from Homage to Picasso (Hommage à Picasso)
Homage to Picasso from Homage to Picasso (Hommage à Picasso)
Eduardo Paolozzi
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Column No. 2 (Picasso 90) from Homage to Picasso (Hommage à Picasso)
Column No. 2 (Picasso 90) from Homage to Picasso (Hommage à Picasso)
Öyvind Fahlström
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Horsefeathers Thirteen-VII, from Horsefeathers Thirteen
Horsefeathers Thirteen-VII, from Horsefeathers Thirteen
Robert Rauschenberg
Color offset lithograph, screenprint, pochoir, collage, and embossing on buff wove paper · 1972
Art Institute of Chicago
The Museum
The Museum
Saul Steinberg
Lithograph and embossing · 1972
Museum of Modern Art
Seated Woman from Homage to Picasso (Hommage à Picasso)
Seated Woman from Homage to Picasso (Hommage à Picasso)
Enrico Baj
Screenprint with flocking from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Alan Davie
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Hervé Télémaque
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Wrapped Sylvette, Project for Washington Square Village, New York from Homage to Picasso (Hommage à Picasso)
Wrapped Sylvette, Project for Washington Square Village, New York from Homage to Picasso (Hommage à Picasso)
Christo
Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Picasso Soleil from Homage to Picasso (Hommage à Picasso)
Picasso Soleil from Homage to Picasso (Hommage à Picasso)
Édouard Pignon
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Jirí Kolár
Screenprint on three sheets from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Stefan Wewerka
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)
Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)
Max Bill
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Walasse Ting
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
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