Database / Artworks
Artworks
A Man of the Crowd
Matthew Buckingham
16mm film (black and white, sound; 21:10 min.) and two-way mirror of semi-reflective glass · 2003
Museum of Modern Art
Rheinmetall/Victoria 8
Rodney Graham
35mm film (color, silent; 10:50 min.) and Cinemeccanica Victoria 8 film projector · 2003
Museum of Modern Art
Yo Mama
Wangechi Mutu
Ink, mica flakes, acrylic, pressure-sensitive film, cut-and-pasted printed paper, and painted paper on paper · 2003
Museum of Modern Art
Out of Blue
Zarina Bhimji
Single-channel video (transferred form 16 mm film), color, sound; 18 min. 25 sec. · 2002
Art Institute of Chicago
Talo/The House
Eija-Liisa Ahtila
Super 16mm color film transferred to three-channel video (projection, 5:1 surround sound); 14 min. loop
Edition number five of five · 2002
Art Institute of Chicago
Caribs' Leap/Western Deep
Steve McQueen
Caribs' Leap: 8mm and 35mm color film, sound, transferred to two-channel digital color video (projection), 28:53 min. loop, and 12:06 min. loop, edition number two of four; Western Deep: 8mm color film, sound, transferred to digital video (projection), 24:12 min. loop · 2002
Art Institute of Chicago
Schumann
Jenny Perlin
16mm film (black and white, silent; 7:25 min.); graphite and charcoal on paper, eighteen sheets · 2002
Museum of Modern Art
Desde la Linea, When Faith Moves Mountains
Francis Alÿs
16mm film transferred to video (color, sound) · 2002
Museum of Modern Art
Subida (Going up), When Faith Moves Mountains
Francis Alÿs
16mm film transferred to video (color, sound) · 2002
Museum of Modern Art
Bajada (Going down), When Faith Moves Mountains
Francis Alÿs
16mm film transferred to video (color, sound) · 2002
Museum of Modern Art
When Faith Moves Mountains
Francis Alÿs
Three 16mm films transferred to video (color, sound), 13 drawings, 46 photographs, two maps, two prints, one folded shirt · 2002
Museum of Modern Art
SolarRoll 14 Flexible Solar Panel
Brunton
Amorphous solar cells and DuPont Tefzel fluoropolymer film · 2002
Museum of Modern Art
A Cube Sol LeWitt photographed by Carol Huebner using nine different light sources and all their combinations front to back back to front forever
Jonathan Monk
Film, 16 mm, projection, black and white · 2001
Tate
thaw
Doug Aitken
Color film, sound, transferred to three-channel digital video (projections on three attached screens); 4:10 min. loop
Edition number four of four · 2001
Art Institute of Chicago
The Green Ray from The Sun Quartet
Tacita Dean
16mm film (color, silent) · 2001
Museum of Modern Art
Passage
Shirin Neshat
35mm film transferred to video (color, sound) · 2001
Museum of Modern Art
Blizzard Foil Blanket
Derek Ryden
Metallized polyester film · 2001
Museum of Modern Art
The Long Road to Mazatlán
Isaac Julien
16mm black-and-white and color film, sound, transferred to three-channel digital video (rear projection on screen); 17:44 min. loop · 2000
Art Institute of Chicago
Lasso
Salla Tykka
35 mm color film, stereo sound, transferred to digital video (projection); 3:48 min. loop · 2000
Art Institute of Chicago
Bantar Gebang
Jeroen de Rijke
35mm film (color, sound) · 2000
Museum of Modern Art
Totality from The Sun Quartet
Tacita Dean
16mm film (color, silent) · 2000
Museum of Modern Art
How I Became a Ramblin’ Man
Rodney Graham
Film, 35 mm, shown as video, projection, colour and sound · 1999
Tate
Soliloquy
Shirin Neshat
Film, 16 mm, shown as video, 2 projections, colour and sound (stereo) · 1999
Tate
Map of Parallel 52 North at a Scale of One Foot to One Degree
Hendl Helen Mirra
Hand-painted 16mm color film, silent, with film reel, can and lid in vitrine; 11 min. loop · 1999
Art Institute of Chicago