Database / Artworks
Artworks

Woman with Red Hair and Green Eyes. The Sin
Edvard Munch
Transfer lithograph printed from two stones in yellow, reddish-brown and green ink on thin, cream, semi-transparent, wove paper · 1902
Art Institute of Chicago

Marguerite Carrière
Eugène Carrière
Lithograph from three stones in black, gray, and brown on China paper laid down on ivory wove paper · 1901
Art Institute of Chicago

"Honesty Pod" Necklace
René Lalique
Gold, enamel, and precious stones · 1900
Art Institute of Chicago

Belt Buckle
Patriz Hüber
Silver and green stones · 1900
Museum of Modern Art

The Fools
František Kupka
Lithograph in brown and blue, from two stones, with scraping on stones, on cream wove paper · 1899
Art Institute of Chicago

Pinning the Hat
Pierre-Auguste Renoir
Lithograph from five stones in black, orange, salmon, yellow and green on ivory laid paper · 1898
Art Institute of Chicago

Portrait of Auguste Rodin
Eugène Carrière
Lithograph in black from two stones on China paper, laid down on cream wove paper · 1897
Art Institute of Chicago

Boating
Pierre Bonnard
Lithograph printed from four stones on off-white china paper · 1896
Art Institute of Chicago

The Sick Child I
Edvard Munch
Transfer lithograph printed from two stones in pale blue and black ink on ivory wove paper · 1896
Art Institute of Chicago

Silence
Etienne-Henri Martin (1913-1995)
Color transfer lithograph from three stones on grayish-ivory China paper · 1894
Art Institute of Chicago

Silence
Henri Martin, French
Color transfer lithograph from three stones on grayish-ivory China paper · 1894
Art Institute of Chicago

Silence
Henri Martin
Color transfer lithograph from three stones on grayish-ivory China paper · 1894
Art Institute of Chicago

Yellow House, Lannion
James McNeill Whistler
Transfer lithograph, with scraping on stone, from fine-grained transfer paper (keystone) and thin, transparent transfer paper (color stones), in color (black, warm gray, dark brown, red brown, green-gray, gray and ochre) on cream Japanese paper · 1893
Art Institute of Chicago

Yellow House, Lannion
James McNeill Whistler
Transfer lithograph, with scraping, from six stones, in black (keystone), greenish gray, brown, light blue, yellow, and gray inks on ivory laid paper · 1893
Art Institute of Chicago

Yellow House, Lannion
James McNeill Whistler
Transfer lithograph from six stones, in black (keystone), greenish gray, brown, green, yellow, and gray, with scraping, on tan wove Japanese vellum · 1893
Art Institute of Chicago

Red House, Paimpol
James McNeill Whistler
Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream Japanese paper · 1893
Art Institute of Chicago

Siesta, from the first album of L'Estampe originale
Édouard Jean Vuillard
Lithograph from two stones on white wove paper · 1893
Art Institute of Chicago

Yellow House, Lannion
James McNeill Whistler
Transfer lithograph, with scraping, from six stones in black (keystone), greenish gray, brown, green, yellow, and gray on ivory laid paper · 1893
Art Institute of Chicago

Red House, Paimpol
James McNeill Whistler
Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream wove Japanese vellum · 1893
Art Institute of Chicago

Yellow House, Lannion
James McNeill Whistler
Transfer lithograph with scraping, from five stones, in black (keystone), green, yellow, gray, and medium gray, on cream Japanese paper · 1893
Art Institute of Chicago

Draped Figure, Reclining
James McNeill Whistler
Transfer lithograph from five stones, in black (keystone), bluish-green, olive green, yellowish green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory laid paper · 1892
Art Institute of Chicago

Draped Figure, Reclining
James McNeill Whistler
Transfer lithograph from five stones, in black (keystone), blue-green, olive green, yellow-green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory wove paper · 1892
Art Institute of Chicago

Draped Figure, Standing
James McNeill Whistler
Lithograph, from thin, transparent paper, from six stones, in dark gray (keystone), ochre, gray, pale green, pale orange, red, and yellow inks, on ivory plate paper · 1891
Art Institute of Chicago

Draped Figure, Standing
James McNeill Whistler
Lithograph, from thin, transparent paper, from four stones, red-orange and brown (keystone), orange, and ochre inks, on ivory laid paper · 1891
Art Institute of Chicago