Database / Artworks
Artworks
Panel (Dress or Furnishing Fabric)
Léon Bakst
Silk, twill weave; screen printed · 1924
Art Institute of Chicago
La Promenade
Bianchini Férier
Silk and cotton, areas of warp-float faced satin weave, plain weave, and twill weave; with weft floats on reverse face in plain weave areas · 1924
Art Institute of Chicago
Fragment "Les Feuilles" (No. 3)
Edouard Bénédictus
Cotton and rayon, 7:1 satin damask weave with supplementary patterning wefts and self-patterned by areas of weft-float faced 1:3 'Z' twill weave · 1924
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Claudia (Furnishing Fabric)
Dagobert Peche
Cotton and jute, warp-float faced satin weave self-patterned by areas of twill weave; woven on loom with Jacquard attachment · 1923
Art Institute of Chicago
Panel (Dress or Furnishing Fabric)
Léon Bakst
Silk, twill weave; screen printed · 1922
Art Institute of Chicago
Nude and Flowers
Marguerite Zorach
Linen, plain weave; cotton, wool and silk, plain and twill weaves, velvet and knitted strips forming “hooked” pile; edges with wool, single crochet · 1922
Art Institute of Chicago
Panel
Mariano Fortuny Y Madrazo
Cotton, twill weave; printed · 1920
Art Institute of Chicago
Panel
Mariano Fortuny Y Madrazo
Cotton, twill weave; printed · 1920
Art Institute of Chicago
“Chevaux Marins, Baleines et Coquillages” (Sea horses, Whales and Shellfish)
Raoul Dufy
Silk, rayon, and gilt-metal-strip-wrapped silk, twill weave, with patterning wefts bound in twill interlacing; woven on a loom with a Jacquard attachment · 1920
Art Institute of Chicago
Le Cigar
Pierre Chareau
Rayon, two-color complementary weft twill weave self-patterned by areas of plain and twill interlacing · 1920
Art Institute of Chicago
Panel
Mariano Fortuny Y Madrazo
Cotton, twill weave; printed in Fortuny System · 1920
Art Institute of Chicago
Panel
Mariano Fortuny Y Madrazo
Cotton, twill weave; printed · 1920
Art Institute of Chicago
Panel
Mariano Fortuny Y Madrazo
Cotton, twill weave; printed · 1920
Art Institute of Chicago
Panel
Mariano Fortuny Y Madrazo
Cotton, twill weave; printed · 1920
Art Institute of Chicago
Book Cover (Sample Book No. 725 with Fourteen Fragments)
Mariano Fortuny Y Madrazo
Cotton, satin and twill weaves; printed · 1920
Art Institute of Chicago
Border
Mariano Fortuny Y Madrazo
Cotton, weft-float faced 2:1 twill weave; printed · 1920
Art Institute of Chicago
Fragment
Mariano Fortuny Y Madrazo
Twill weave · 1920
Art Institute of Chicago
Fragment
Mariano Fortuny Y Madrazo
Twill weave · 1920
Art Institute of Chicago