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Artworks

Baghdad from Prints for Phoenix House
R. B. Kitaj
Screenprint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled from Prints for Phoenix House
Ellsworth Kelly
Lithograph from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Museum–Museum
Marcel Broodthaers
Two screenprints · 1972
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Alan Davie
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Jan Voss
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Walasse Ting
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Hervé Télémaque
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Stefan Wewerka
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Picasso Soleil from Homage to Picasso (Hommage à Picasso)
Édouard Pignon
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Seated Woman from Homage to Picasso (Hommage à Picasso)
Enrico Baj
Screenprint with flocking from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Jirí Kolár
Screenprint on three sheets from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Wrapped Sylvette, Project for Washington Square Village, New York from Homage to Picasso (Hommage à Picasso)
Christo
Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)
Max Bill
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art

The Fist of the Day (Le Poing du jour) from Homage to Picasso (Hommage à Picasso)
Roberto Matta
Aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1971
Museum of Modern Art

Ladies from Homage to Picasso (Hommage à Picasso)
Lynn Chadwick
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1971
Museum of Modern Art

Boston Cremes from Seven Still Lifes and a Silver Landscape
Wayne Thiebaud
Linoleum cut from a portfolio of two etchings, two linoleum cuts, two lithographs, and two screenprints · 1970
Museum of Modern Art

Henry Geldzahler from The Geldzahler Portfolio
Andy Warhol
Video transfer (black and white, silent) from a portfolio of three lithographs, two etchings (one with aquatint), two screenprints, one digital print, one offset lithograph, one solar plate intaglio, and one video transfer · 1964
Museum of Modern Art

Plate from Monochrome und Feuer
Yves Klein
Screenprint from exhibition catalogue with two screenprints and one gold leaf on cardboard · 1961
Museum of Modern Art

Plate from Monochrome und Feuer
Yves Klein
Screenprint from exhibition catalogue with two screenprints and one gold leaf on cardboard · 1961
Museum of Modern Art

Monochrome und Feuer
Yves Klein
Exhibition catalogue with two screenprints and one gold leaf on cardboard · 1961
Museum of Modern Art

Untitled
Mary Corse
Two screenprints, one in white and one in red, on both sides of cream wove paper, each encased in a clear acrylic sleeve, wrapped in white synthetic fabric, and housed together in a white plastic box · 1960
Art Institute of Chicago