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Artworks

271 records · Velvet
Pair of Side Chairs
Pair of Side Chairs
Louis Comfort Tiffany
Oak with velvet upholstery · 1911
Art Institute of Chicago
Sachet van geel fluweel op de voorzijde beschilderd met een toef anjertakken, gevoerd met doorgestikte gele zijde romdom afgezet met getwijnd geel zijden koord
Sachet van geel fluweel op de voorzijde beschilderd met een toef anjertakken, gevoerd met doorgestikte gele zijde romdom afgezet met getwijnd geel zijden koord
Adriana
painting technique on velvet (fabric weave), silk, oil paint (paint) · 1910
Rijksmuseum
Sachet van geel fluweel op de voorzijde beschilderd met een toef anjertakken, gevoerd met doorgestikte gele zijde romdom afgezet met getwijnd geel zijden koord
Sachet van geel fluweel op de voorzijde beschilderd met een toef anjertakken, gevoerd met doorgestikte gele zijde romdom afgezet met getwijnd geel zijden koord
ADRIANA
painting technique on velvet (fabric weave), silk, oil paint (paint) · 1910
Rijksmuseum
Panel from a Lady's Evening Tunic
Panel from a Lady's Evening Tunic
Maria Monaci Gallenga
Silk, plain weave with supplementary pile warps forming cut, solid velvet; screen printed · 1910
Art Institute of Chicago
Panel
Panel
Warner and Sons Limited
Silk and cotton, warp-float faced satin weave with two-color supplementary pile warps forming cut and uncut voided velvet · 1910
Art Institute of Chicago
Panel
Panel
Mariano Fortuny Y Madrazo
Silk, plain weave with supplementary pile warps forming cut, solid velvet; printed · 1906
Art Institute of Chicago
Portière
Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Fragment (Carpet)
Fragment (Carpet)
Richard Riemerschmid
Cotton and wool, plain weave with three-color supplementary pile warps forming uncut solid velvet · 1901
Art Institute of Chicago
Fragment (Carpet)
Fragment (Carpet)
Adelbert Niemeyer
Cotton and wool, plain weave with two-color supplementary pile warps forming cut solid velvet · 1901
Art Institute of Chicago
Curtain panel
Curtain panel
Louis Comfort Tiffany, American
printed, dyed & painted textiles, curtain panel — medium: technique: stenciled velvet · 1897
Cooper Hewitt, Smithsonian Design Museum
'Crazy Quilt'
'Crazy Quilt'
Lana Almedia Marcellus Jeffery
Silk, plain, twill, and satin weaves; some with supplementary patterning warps, some with supplementary patterning and brocading wefts, some velvet, some with self-patterning; some painted, warp ikat, or engraved roller printed; pieced; appliquéd with cotton and silk, cut solid velvet; stamped; and embroidered with silk in buttonhole, chain, detached chain, cross, double feather, herringbone, satin, single satin, split, and stem stitches; laid work and couching; backed with cotton, plain weave; roller printed · 1896
Art Institute of Chicago
Panel
Panel
Arthur Silver
Cotton, twill weave with supplementary pile wefts forming cut velvet; block printed · 1896
Art Institute of Chicago
Genealogy Quilt
Genealogy Quilt
Catharine L. Clark
Wool, cotton, and silk, twill weaves and plain weave cut solid velvet, some stamped; pieced; embroidered with silk in back, single back, buttonhole, chain, detached chain, feather, double feather, herringbone, satin, single satin, and stem stitches; backed stitch couching; edged with cotton, plain weave; backed with cotton, satin weave; sewn with cotton thread · 1896
Art Institute of Chicago
Fragment
Fragment
Josef Hoffmann
Cotton and wool, plain weave with multi-color supplementary pile warps forming cut solid velvet · 1895
Art Institute of Chicago
Fragment
Fragment
Josef Hoffmann
Cotton and wool, plain weave with multi-color supplementary pile warps forming cut solid velvet · 1895
Art Institute of Chicago
Panel
Panel
Hubert Von Herkomer
Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet · 1890
Art Institute of Chicago
Florence
Florence
John Henry
Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed · 1890
Art Institute of Chicago
Florence
Florence
John Henry Dearle
Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed · 1890
Art Institute of Chicago
Florence
Florence
John Henry Dearle
Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed · 1890
Art Institute of Chicago
Florence
Florence
John Henry Dearle, British
Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed · 1890
Art Institute of Chicago
Textile
Textile
Arthur Wilcock
printed, dyed & painted textiles, textile — medium: cotton technique: roller printed on supplementary weft pile (velveteen) · 1890
Cooper Hewitt, Smithsonian Design Museum
Head ornament
Head ornament
Tinfook
jewelry, decorative arts, head ornament — gold, jade, pearls; velvet-covered silk-lined case · 1890
Cooper Hewitt, Smithsonian Design Museum
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