Database / Artworks
Artworks

Indigo 23
Ethel Stein
Cotton, warp resist dyed (warp ikat) satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1988
Art Institute of Chicago

Sample
Lissy Funk
Linen, plain weave; embroidered with silk yarns in back, buttonhole, darning, overcast, padded overcast; Roumanian, running, satin, and stem stitches; a variety of laid work and couching · 1987
Art Institute of Chicago

Tradewind (Furnishing Fabric)
Jack Lenor Larsen Inc.
Cotton and linen, mixed and combined twill weave with supplementary patterning warps in satin and plain interlacing · 1985
Art Institute of Chicago

Pinion Sheer (Furnishing Fabric)
Jack Lenor Larsen Inc.
Linen and cotton, combined twill weave with supplementary patterning warps in 7:1 satin and plain interlacings and bands of supplementary patterning wefts; patterning elements are unbound in non-patterned areas and are cut away after weaving · 1985
Art Institute of Chicago

Autobahn (Sample) (Furnishing Fabric)
Ben Rose
Cotton, wool and nylon, satin damask weave self-patterned by areas of mixed twill weaves · 1985
Art Institute of Chicago

Studio (Furnishing Fabric)
Ben Rose
Rayon, 4:1 satin damask weave · 1985
Art Institute of Chicago

Nocturne (Furnishing Fabric)
Jack Lenor Larsen Inc.
Wool and polyester, weft-float faced satin weave self-patterned by main warp and ground weft floats and by areas of twill and plain weaves; woven on loom with Jacquard attachment · 1985
Art Institute of Chicago

Diva (Furnishing Fabric)
Gretchen Bellinger
Silk, satin weave self-patterned by reversing of faces; applied rhinestones · 1985
Art Institute of Chicago

Sampler
Georgi Jaquiss
Linen, plain weave; embroidered with cotton yarns; drawn thread work in him, interlaced hem, interlocking lace, ladder hem and serpentine hem stitches; pulled thread work in double stitch filling, hem, and overcast stitches; embroidered in satin stitches. Four cent ral rectangles each with a different stitch pattern; in off-white · 1985
Art Institute of Chicago

Indigo 22
Ethel Stein
Two panels: cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago

Panel (Furnishing Fabric)
Stanley Tigerman
Polyester, warp-float faced 4:1 satin weave (creped weft); screen printed · 1984
Art Institute of Chicago

Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago

Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago

Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago

Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago

Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago

Gate Ironwork (Furnishing Fabric)
Timney-Fowler Ltd.
Cotton, satin weave; screen printed · 1982
Art Institute of Chicago

Columns (Furnishing Fabric)
Timney-Fowler Ltd.
Cotton, satin weave; screen printed · 1982
Art Institute of Chicago

Collage (Furnishing Fabric)
Timney-Fowler Ltd.
Cotton, satin weave; screen printed · 1982
Art Institute of Chicago

Roman Heads (Furnishing Fabric)
Timney-Fowler Ltd.
Cotton, satin weave; screen printed · 1982
Art Institute of Chicago

Meandering Dream (Furnishing Fabric)
Betty Woodman
Cotton, warp-float faced satin weave; screen printed · 1980
Art Institute of Chicago

Linoleum (Furnishing Fabric)
Tony Costanzo
Cotton, warp-float faced satin weave; screen printed · 1980
Art Institute of Chicago

"Celebrity Ties" Quilt
Grace C. Wagner
Silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed · 1980
Art Institute of Chicago

Bottle Opener
Henry Altchek
18/8 Stainless steel with brushed satin finish · 1980
Museum of Modern Art