Database / Artworks
Artworks
Study for Black Ripe
Ellsworth Kelly
Ink and pencil on paper · 1954
Museum of Modern Art
Seated Woman, Two Views
Wolf Kahn
Pencil on paper · 1954
Museum of Modern Art
La Guignolée
Paul-Émile Borduas
Watercolor on paper · 1954
Museum of Modern Art
Dr. J. Robert Oppenheimer
Ben Shahn
Ink on paper · 1954
Museum of Modern Art
Vignette (folio 27) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Santa María (Saint Mary) (double page in-text plate, folios 15 verso and 16) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 19) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 9) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
La Guagua (The Bus) (double page in-text plate, folios 13 verso and 14) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 13) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Temporal (The Storm) (double page in-text plate, folios 23 verso and 24) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Ya Llegó (He Has Arrived) (double page in-text plate, folios 21 verso and 22) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Los Muchachos de Cataño (The Boys of Cataño) (double page in-text plate, folios 17 verso and 18) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 21) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 17) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 7) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Ay Lola Lola (Oh Lola Lola) (double page in-text plate, folios 11 verso and 12) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Que Bonita Es (How Beautiful She Is) (double page in-text plate, folios 7 verso and 8) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 15) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Isidora (double page in-text plate, folios 25 verso and 26) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Vignette (folio 11) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Fuego Fuego Fuego (Fire Fire Fire) (double page in-text plate, folios 27 verso and 28) from Plenas
Rafael Tufiño
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
Tintorera del Mar (Shark of the Sea) (double page in-text plate, folios 9 verso and 10) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art
El Obispo de Ponce (The Bishop of Ponce) (double page in-text plate, folios 5 verso and 6) from Plenas
Lorenzo Homar
One from an illustrated book with twenty-five linoleum cuts (including cover) · 1954
Museum of Modern Art