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Artworks

320 records · Copper plate
Experimental Plate, for Fifth Stone, Sixth Stone
Experimental Plate, for Fifth Stone, Sixth Stone
Lee Bontecou
Copper plate (cancelled) · 1967
Art Institute of Chicago
Plate II, from Fifth Stone, Sixth Stone
Plate II, from Fifth Stone, Sixth Stone
Lee Bontecou
Copper plate (cancelled) · 1967
Art Institute of Chicago
Plate I, from Fifth Stone, Sixth Stone
Plate I, from Fifth Stone, Sixth Stone
Lee Bontecou
Copper plate (cancelled) · 1967
Art Institute of Chicago
Portfolio Box, from Fifth Stone, Sixth Stone
Portfolio Box, from Fifth Stone, Sixth Stone
Lee Bontecou
Wooden box inlaid with copper plate · 1967
Art Institute of Chicago
Target I
Target I
Jasper Johns
Etching from one copper plate in black on white wove paper · 1967
Art Institute of Chicago
Target II
Target II
Jasper Johns
Etching and aquatint from one copper plate in black on white wove paper · 1967
Art Institute of Chicago
Figure 4
Figure 4
Jasper Johns
Open-bite etching from one copper plate in black on white wove paper · 1967
Art Institute of Chicago
Plate IV, from Fifth Stone, Sixth Stone
Plate IV, from Fifth Stone, Sixth Stone
Lee Bontecou
Letterpress and aquatint with hard ground etching from one copper plate on ivory laid paper · 1967
Art Institute of Chicago
Plate I from Fifth Stone, Sixth Stone
Plate I from Fifth Stone, Sixth Stone
Lee Bontecou
Letterpress and aquatint with etching from one copper plate on ivory laid paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Letterpress and aquatint with hard ground etching from one copper plate on ivory laid paper · 1967
Art Institute of Chicago
Ale Cans, title page, from 1st Etchings
Ale Cans, title page, from 1st Etchings
Jasper Johns
Etching and open-bite etching from one copper plate in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago
Sky Frame Orbit
Sky Frame Orbit
Helen Frankenthaler
Color lithograph from one stone and color etching and aquatint from one copper plate on pinkish cream wove paper · 1964
Art Institute of Chicago
Epitaph
Epitaph
Hubertus von Pilgrim
Engraving from a copper plate on white wove paper · 1963
Art Institute of Chicago
The Doors were Closed
The Doors were Closed
Vera Berdich
Copper plate · 1962
Art Institute of Chicago
Floristan
Floristan
Hubertus von Pilgrim
Engraving from a copper plate on white wove paper · 1962
Art Institute of Chicago
Witches Sabbath
Witches Sabbath
Stanley William Hayter
Color engraving, soft ground etching and scorper from a copper plate on ivory paper · 1958
Art Institute of Chicago
Fragments
Fragments
Vera Berdich
Copper plate · 1954
Art Institute of Chicago
Things to be Remembered
Things to be Remembered
Vera Berdich
Copper plate · 1949
Art Institute of Chicago
11:45 P.M.
11:45 P.M.
Letterio Calapai
Intaglio copper plate with engraving, aquatint and open bite · 1947
Art Institute of Chicago
Untitled (Copper Plate for Vase of Tears)
Untitled (Copper Plate for Vase of Tears)
Louise Bourgeois
Copper plate, with etching, drypoint, and engraving · 1945
Museum of Modern Art
Plate for Untitled (1) and Untitled (2)
Plate for Untitled (1) and Untitled (2)
Jackson Pollock
Engraving and drypoint on copper plate · 1944
Museum of Modern Art
Plate for Untitled (4)
Plate for Untitled (4)
Jackson Pollock
Engraving and drypoint on steel-faced copper plate · 1944
Museum of Modern Art
Tarantelle
Tarantelle
Stanley William Hayter
Engraving, scorper and soft ground etching on copper plate on ivory wove paper · 1943
Art Institute of Chicago
Dance I/Diptych
Dance I/Diptych
Eldzier Cortor
Copper plate · 1936
Art Institute of Chicago
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