Database / Artworks
Artworks
Flora, No. 4 from the portfolio "American Pictorial Photography, Series I" (1899)
Gertrude Käsebier
Photogravure · 1892
Art Institute of Chicago
The Telephone and the Ticker, Study for "Electricity as Applied to Commerce," Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL
J. Carroll Beckwith, American
Black chalk, graphite on off-white laid paper · 1892
Cooper Hewitt, Smithsonian Design Museum
The Englishman at the Moulin Rouge
Henri de Toulouse-Lautrec
Color lithograph on ivory laid paper · 1892
Art Institute of Chicago
At the Moulin Rouge, La Goulue and Her Sister
Henri de Toulouse-Lautrec
Color lithograph on tan wove paper · 1892
Art Institute of Chicago
Ambassadeurs: Aristide Bruant
Henri de Toulouse-Lautrec
Color lithograph on tan wove paper · 1892
Art Institute of Chicago
Reine de Joie
Henri de Toulouse-Lautrec
Color lithograph on tan wove paper · 1892
Art Institute of Chicago
Eldorado: Aristide Bruant
Henri de Toulouse-Lautrec
Color lithograph on tan wove paper · 1892
Art Institute of Chicago
The Hanged Man
Henri de Toulouse-Lautrec
Lithograph on cream wove paper · 1892
Art Institute of Chicago
Reine de Joie
Henri de Toulouse-Lautrec
Color lithograph on tan wove paper · 1892
Art Institute of Chicago
The Home and Haunts of Shakespeare
James Leon Williams
Illustrated by 15 plates in watercolor (presumably chromolithographs), 45 full page photogravures, and more than 150 letterpress illustrations
"The Weir Brake" Pl. 7
"While Flowing River Yield Such Blameless Sport" Pl. 9
"A Willow Grows Aslant the Brook" Pl. 22
"The Old Footbridge" Pl. 30 · 1892
Art Institute of Chicago
At Shottery Brook
James Leon Williams
Photogravure, a loose plate from the book "The Homes and Haunts of Shakespeare" · 1892
Art Institute of Chicago
Solon S. Beman and Spencer S. Beman Collection
Solon Spencer Beman
Printed papers, a scrapbook, black and white photographic prints, black and white photomechanical prints, architectural reprographic prints and realia. · 1892
Art Institute of Chicago
Charles L. Morgan Papers
Charles Leonard Morgan
Printed papers, black and white photographs, black and white negatives, postcards, architectural drawings, drawings and watercolors on paper. · 1892
Art Institute of Chicago
Bachelor’s Button
William Morris
Woodblock print in orange and white inks on cream wove paper · 1892
Art Institute of Chicago
Draped Figure, Reclining
James McNeill Whistler
Transfer lithograph from five stones, in black (keystone), bluish-green, olive green, yellowish green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory laid paper · 1892
Art Institute of Chicago
Stéphane Mallarmé
James McNeill Whistler
Transfer lithograph in gray-black on ivory laid paper · 1892
Art Institute of Chicago
Stéphane Mallarmé
James McNeill Whistler
Transfer lithograph in gray-black on grayish ivory wove paper, laid down on off-white plate paper (chine collé) · 1892
Art Institute of Chicago
Stephane Mallarmé, No. 2
James McNeill Whistler
Transfer lithograph in black with scraping, on cream laid paper · 1892
Art Institute of Chicago
Draped Figure, Reclining
James McNeill Whistler
Transfer lithograph from five stones, in black (keystone), blue-green, olive green, yellow-green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory wove paper · 1892
Art Institute of Chicago
Portrait Study: Miss Charlotte R. Williams
James McNeill Whistler
Transfer lithograph in black on cream laid paper · 1892
Art Institute of Chicago
Seated Bather
Pierre-Auguste Renoir
Color soft ground etching in blue on ivory wove paper · 1892
Art Institute of Chicago
Beatrice, No. 14 from the portfolio "American Pictorial Photography, Series I" (1899)
Mathilde Weil
Photogravure · 1892
Art Institute of Chicago
Haymaking at Éragny
Camille Pissarro
Oil on canvas · 1892
Art Institute of Chicago
Te burao (The Hibiscus Tree)
Paul Gauguin
Oil on canvas · 1892
Art Institute of Chicago